Negation / Consumption

J.R. Eyerman [1952] Audience at the opening-night screening of Bwana Devil, the first full-length colour 3-D movie. Paramount Theatre, Hollywood, 26 Nov 1952.
J.R. Eyerman [1952] Audience at the opening-night screening of Bwana Devil, the first full-length colour 3-D movie. Paramount Theatre, Hollywood, 26 Nov 1952.
We had a fascinating discussion on commitment and autonomy at the November book club on Adorno’s Commitment! Many thanks to all who joined and a special thanks to Nat Pimlott for facilitating the discussion.

We look forward to your company at the next book club, coming up on Friday, 8 December. This time we’re reading Negation and Consumption in the Cultural Sphere, the eighth chapter of Guy Debord’s 1967 book The Society of the Spectacle and discussing détournement with Aris Nikolaidis. For more information, to book your place and download the text please visit the page.

In August we visited Benedict Drew‘s exhibition The Trickle-Down Syndrome at the Whitechapel Gallery with students on the Critical Theory in Contemporary Art Practice course. The exhibition was a sprawling interconnected array of objects, banners, screens, cables and digital components. What is the Trickle-Down Syndrome? How does it relate to the infamous laissez faire economic theory? What are the throbbing fleshy forms and knobbly knotted forms represented in videos, banners and roughly-hewn objects? We spent a couple of hours viewing and discussing the exhibition and everyone was asked to write a 250-500 word review that evening for a workshop the next morning. Each review is written in a uniquely different style and approach, with a different interpretation of the exhibition. We were all very impressed by this outcome so we decided to share the results.

In January we’re discussing Adam Curtis’ 2016 film HyperNormalisation with Neil Lamont. Please book your place and view the film by following the links on the page. See you there!

J.R. Eyerman [1952] Audience at the opening-night screening of Bwana Devil, the first full-length colour 3-D movie. Paramount Theatre, Hollywood, 26 Nov 1952.[SYMPOSIUM] BOOK CLUB
Debord: Negation & Consumption in Culture
Friday, 8 December 2017, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Aristotelis Nikolaidis
Suggested donation £2, booking via Eventbrite

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
11 January —15 March 2018, 6pm—8:30pm
Chelsea College of Arts UAL 16 John Islip Street London SW1P 4JU
Tutor Sophia Kosmaoglou
Booking via UAL

Neil Lamont [2006] Apple billboard on Paris metro. Digital photograph.[SYMPOSIUM] BOOK CLUB
Adam Curtis: HyperNormalisation
Friday, 12 January 2018, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by
Neil Lamont
Suggested donation £2, booking via Eventbrite

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
DECEMBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
J.R. Eyerman [1952] Audience at the opening-night of Bwana Devil. Paramount Theatre, Hollywood, 26 Nov 1952.
Patrick Mimran [2004] Billboard Project, New York. Photo by Sophia Kosmaoglou.
Neil Lamont [2006] Apple billboard on Paris metro. Digital photograph.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.

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