Tag Archives: studio crit

Alternative art education & co-operation

On Friday, 12 May 2017 we have an [OPENMEETING] to lay the foundations of a new alternative art school, coordinate future projects and institute collective ways of working at [ART&CRITIQUE]. If you’d like to get involved you’re welcome to join us!

The [BOOKCLUB] is back on Friday, 9 June 2017 at at Tropics Café in Elephant & Castle with The Dismeasure of Art, an interview with Paolo Virno (2009). This discussion will be chaired by Rubén Salgado Perez.

On Saturday, 10 June 2017, join us for an all day [STUDIOCRIT] at Thames-Side Studios in Woolwich to discuss the work of conceptual artist Rachel Ara and cross-disciplinary artist & curator Laura Hudson.

Our trip to Documenta 14 in late June has been postponed till September due to various setbacks. Please get in touch if you’d like to come along or help co-ordinate the trip.

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn[ART&CRITIQUE] OPEN MEETING
Alternative Art Education, Co-operation & Co-ordination
Friday, 12 May 2017, 6:30-8:30pm
Arch 213, Ponsford Street, London E9 6JU
Free, booking not required

Kinki Club, Bologna. Photo courtesy Graziella Ronchi for Spaghetti Disco - Creare Spazio Alle Memorie 1975-85, Red Gallery, London, Oct 2016, curated by Lorenzo Cibrario[SYMPOSIUM] BOOK CLUB
Virno: The Dismeasure of Art
Friday, 9 June 2017, 18:00 – 20:30
Tropics Café, Grow Elephant, New Kent Road, London  SE17 1SL
Chaired by Rubén Salgado Perez
Free, please book your place

[STUDIOCRIT]#5RachelAra[ART&CRITIQUE] STUDIO CRIT
Sharing Diverse Practices on Common Ground
Laura Hudson & Rachel Ara
Saturday, 10 June 2017, 10:30–17:30
Education Space, Thames-Side Studios, Harrington Way, London SE18 5NR
Free, please book your place

Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail)[OPPORTUNITIES & ANNOUNCEMENTS]
MAY 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Great Chartist Meeting on Kennington Common, 10 April 1848 (detail). Photo by William Kilburn.
Kinki Club, Bologna. Photo Graziella Ronchi for Spaghetti Disco, Red Gallery, London, Oct 2016.
Poster for Sharing Diverse Practices on Common Ground, 10 June 2017 (detail), by Rachel Ara.
Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail). Oil on canvas, 85 × 107 cm.

WORKSHOPS

How To Start Your Own Art School zine workshop
Alternative Art School Weekender 22-24 March
Organised by TOMA (The Other MA)

Saturday, 23 March 2019, 12-4pm
Ugly Duck, 49 Tanner St, London SE1 3PL
Closest stations: London Bridge, Bermondsey
All welcome

Alt Art School Weekender flyer by Laura Adamson (TOMA)A collaborative DIY workshop to collect ideas on how to start an alternative art school in a handy, informative and entertaining guide made by its participants.

Help us put together a guide on How To Start Your Own Art School! Come along to the workshop with your tips, ideas, stories, anecdotes, advice and full-blown manifestos.

We will use all kinds of techniques, including collage, drawing, calligraphy and cut up poetry to produce A6 zine (105mm x 148mm). Materials and tools will be provided but you are welcome to bring your own. The workshop will be a space to chill out, make something beautiful and exchange ideas.

If you can’t come along to the workshop you can send your readymade page beforehand to info (at) artandcritique (dot) uk.


What is Alternative Art Education?
UK Commons Assembly @School for Civic Action
Organised by Public Works and Commons Rising

Friday, 20 July 2018, 10am-8pm
Tate Exchange, 5th floor, Tate Modern, London SE1 9TG
Tube/Train: London Bridge, Blackfriars, Southwark
All welcome, booking via Eventbrite

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.

In the last ten years alternative art education has burgeoned into a full-blown movement, fuelled by economic crisis, austerity and the liberalisation of higher education. But what is alternative art education? Who is it for and what is it alternative to?

There are as many different formats and models of alternative art education as there are art schools, but in what ways is alternative art education expected to be different from traditional art education? Should alternative art schools try to emulate accredited MFAs or are they expected to radically re-imagine art education? How should alternative art schools be organised, structured and funded? Are alternative art schools expected to resist and reform institutional models of education and pedagogy? What would a cooperative art school look like?

We will address some of these questions, exchange ideas and discuss the future of alternative art education in a participatory workshop. Come along and bring your own questions.

This workshop is part of the UK Commons Assembly organised in the context of The School for Civic Action in collaboration with Commons Rising, an open platform for commons initiatives to come together, exchange knowledge and to see if there is an appetite for an ongoing UK Commons Assembly.

In a contemporary context of much inequality, the Commons discourse introduces models of sharing. The Commons are about the assets that belong to everyone, forming resources that should benefit all, rather than being enclosed to just a few.

The aim of the day is to put on an exhibition showing the wealth of Commons projects happening in the UK. There will be discussions as well as workshops to inform the public about the commons. It is also an opportunity to vision how the commons might work beyond the individual projects and to set up practical outcomes going forwards.


What is alternative art education?
FIRST 100% OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY
Organised by School of the Damned
Part of Art Licks Weekend 2017

Sunday, 1 October 2017, 1pm-6pm
SET, 76-89 Alscot Road, London SE1 3AW
Overground: Bermondsey MAP
Booking via Eventbrite

School of the Damned's FIRST 100% OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY. Set Space, 1 Oct 2017.
School of the Damned’s FIRST 100% OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY, 1 Oct 2017. Flyer by School of the Damned Class of 2018.

THE FIRST 100% OFFICIAL UNOFFICIAL ART EDUCATION OPEN-DAY is an informal open day exploring the plural experiences of alternative art schools and wider conversations of alternative education all together. An opportunity to get to know existing alternative art schools but also teach you how to DIY or DIT (Do It Together).

School of The Damned will use this day as the launch for inviting applications for 2018/19. Alongside this, alternative art schools or courses will showcase how they are unique through workshops presenting their individual identity; AltMFA, [ART&CRITIQUE], PACTO, School of the Damned, Syllabus, TOMA, Turps Banana.

For more details on each workshop please click the headings below or download the programme.

12:00 Welcome, tea & coffee
12:30 SOTD: Building an Active Archive

A workshop introducing ‘The Active Archive’: an online investigative tool for those interested in engaging with and facilitating alternative ways of learning. DOWNLOAD our page from the zine with an A4 poster.

13:00 Art&Critique: What is alternative art education?

Within the last ten years alternative art education has burgeoned into a full-blown movement, fuelled by economic crisis, austerity and the liberalisation of higher education. But what is alternative art education? Who is it for, and what is it an alternative to?

There are as many different formats and models of alternative art education as there are art schools, but in what ways is alternative art education expected to be different from traditional art education? Should alternative art schools try to emulate accredited MFAs or are they expected to radically re-imagine art education? What are the drawbacks of traditional art education and what practices are worth preserving? What alternative or radical pedagogies and practices would play an important part in alternative art education? What are the learning outcomes of alternative art education, and how should these be evaluated? How should alternative art schools be organised, structured and funded? Should they be free, accessible and self-organised? How do alternative art schools get access to resources and what do they need to become sustainable? Do alternative art schools have social and political obligations? Are alternative art schools expected to resist and reform institutional models of education and pedagogy? Should alternative art schools challenge art institutions and the art market? Should alternative art schools participate in political struggles of resistance against war, social injustice and climate change? What are the objectives of alternative art education?

Together we will address some of these questions, exchange ideas and discuss the future of alternative art education in a participatory workshop. Come along and bring your own questions and ideas to the discussion.

Download our zine page with an A4 poster in colour or black & white.

13:30 AltMFA

AltMFA is a recipe that we make up together, inventing as we go, using whatever ingredients we can get hold of – a cocktail of the personalities, passions and histories of whoever is at the meeting. Bring an ingredient to add to the strange salad we will be making together as we collectively transcribe the recipe for an alternative art school.

14:00 – 15:00 Lunch
15:30 Pacto: Radical Research Methods

Pacto would like to further explore how self organisation takes place. A workshop challenging the symposium to create a model for collaborative research.

16:00 Syllabus: Manifesto towards a Syllabus

Wysing Arts Centre’s Assistant Curator John Bloomfield will be joined by members Tom Smith and Frederica Agbah from Syllabus II and III to discuss the manifestos that each year’s group have drawn up. Composed during the first retreat of each year the manifestos are used to shape the ideals of the group and to lay down ground rules for the year ahead.

16:30 Turps Banana: Correspondance Course

Patricia Mulligan (Turps Banana) will be in conversation with Emily Woolley (SOTD) about her experience of the correspondance course and finding ways to practice and study post graduation.

17:00 TOMA: The Art Pub Quiz

TOMA invite you to form a team and take part to test your knowledge and forge discussions about alternative ways to educate yourself outside of the institutional system in 2017.


Critiquing the Crit
A Workshop with Sophie Barr

Saturday, 19 November 2016, 1pm – 4pm
The Field 385 Queens Road, London SE14 5HD
Rail/Overground: New Cross Gate, Queens Road Peckham 

This three-hour workshop is designed to help you to get the most out of your group critique by taking ownership of your feedback. During the workshop you will consider the most important aspects of giving and receiving feedback/criticism and you will have the opportunity to design and test your own crit model for future use.

Josef Albers Preliminary class group critique. Bauhaus Dessau, 1928-29. Photo by Otto Umbehr.
Josef Albers Preliminary class group critique. Bauhaus Dessau, 1928-29. Photo by Otto Umbehr.

The aim of the workshop is to get us to think critically about how we give and receive feedback as well as creating a culture where it’s okay to try things out. What is a crit for? How do you feel when you receive feedback? We will start by sharing our experiences of giving and receiving feedback in the past. How comfortable have you felt sharing your thoughts with your peer group? How have your peers reacted to your comments? What do you think the role of the peer is in the crit? With these ideas in mind, we will devise our own crit models and test them in groups of 4-5 people. Please bring along a work in progress to participate in these micro-crits. We will wrap up by sharing our feedback and proposals for how we would like to conduct our crits in the future.

Sophie Barr is an artist and Lecturer in Cultural and Contextual Studies with a growing interest in alternative modes of art education. She is currently studying for a Doctorate in Fine Art at the University of East London and makes art in Wood Green, north London. You can find out more about Sophie and see some of her latest projects in her blog Intellectual Simulation.

EVENT ARCHIVE

[RPG]#2-2018-04-26_thumb[RADICALPEDAGOGY] RESEARCH & READING GROUP
Pedagogy of the Oppressed pt. 1
Friday, 26 April 2019, 7-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
Suggested donation £2, booking via Eventbrite

Markus Lüpertz [1965] Schuhabdruck—dithyrambisch (Shoe print—Dithyrambic). Ströher Collection, Darmstadt, Germany_thumb[SYMPOSIUM] BOOK CLUB
Nietzsche: The Birth of Tragedy

Friday, 12 April 2019, 6:30pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Nat Pimlott
Suggested donation £2, booking via Eventbrite

artcrawl#14_thumb[ART&CRITIQUE] ART CRAWL
Mayfair to Fitzrovia: Joy, Dance, Magic – Three Artist Films
Saturday, 30 March 2019, 13:45 – 17:00
Meet 13:45 at Lévy Gorvy, 22 Old Bond St, Mayfair, London W1S 4PY
Curated by Eva Ruschkowski
Free, booking via Eventbrite

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned(1)_thumb400_1[RADICALPEDAGOGY] RESEARCH & READING GROUP
What is alternative art education?
Sunday, 24 March 2019, 2-4pm
Ugly Duck, 49 Tanner St, London SE1 3PL
Alternative Art School Weekender (22-24 March)
All welcome

ART&CRITIQUE [2017] Art Skool Co-op Poster.[ART&CRITIQUE] WORKSHOP
How To Start Your Own Art School
Saturday, 23 March 2019, 12-4pm
Ugly Duck, 49 Tanner St, London SE1 3PL
Alternative Art School Weekender (22-24 March)
All welcome

[SYMPOSIUM]#34 Jared Diamond Collapse. Flyer by Tere Chad.[SYMPOSIUM] BOOK CLUB
Jared Diamond: Collapse. How Societies Choose to Fail or Survive

Friday, 8 March 2019, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Alter Us
Suggested donation £2, booking via Eventbrite

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.[RADICALPEDAGOGY] RESEARCH & READING GROUP
Radical Pedagogy Reading Group Launch
Friday, 22 Feb 2019, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
Suggested donation £2, booking via Eventbrite

Jeremy Deller and Mike Figgis [2001] The Battle of Orgreave.[SYMPOSIUM] BOOK CLUB
Claire Bishop: Artificial Hells
Friday, 8 February, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Eva Ruschkowski
Suggested donation £2, booking via Eventbrite

Photo by Eva Ruschkowski, 2015.[SYMPOSIUM] BOOK CLUB
Call for Book Club 2019
Friday, 11 January 2019, 6:30pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Dee Vora, John Fortnum and Eva Ruschkowski
Suggested donation £2, booking via Eventbrite

[SYMPOSIUM]#31 Eagleton & Zizek Idea of Communism. Flyer by Neil Lamont_thumb[SYMPOSIUM] BOOK CLUB
Eagleton & Zizek: The Idea of Communism
Friday, 14 December 2018, 6:30pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Neil Lamont
Suggested donation £2, booking via Eventbrite

[SYMPOSIUM]#31 Fisher Capitalist Realism Pt.3[SYMPOSIUM] BOOK CLUB
Mark Fisher: Capitalist Realism Pt.3
Friday, 9 November 2018, 6:30pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Silvia Bombardini & Elliot C. Mason
Suggested donation £2, booking via Eventbrite

Open Meeting[ART&CRITIQUE] MEETING
Quarterly Meeting
Friday, 26 October 2018, 18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
All welcome

Jenny Holzer [1993] Alienation produces eccentrics or revolutionaries. Marquees series.[SYMPOSIUM] BOOK CLUB
Debord: The Culmination of Separation
Friday, 12 October 2018, 18:30–21:00
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Penelope Kupfer & Darshana Vora
Suggested donation £2, booking link coming soon

[ARTCRAWL] #15-Deptford[ART&CRITIQUE] ART CRAWL
Deptford Art & Gentrification Walk Pt.2
Saturday, 29 September 2018, 13:00 -18:00
Meet 1pm inside Deptford Railway Station, London SE8 3NU
Curated by Sophia Kosmaoglou and Paul Clayton
All welcome, booking not required

Robert Mapplethorpe, Sepia Orchid_thumb[SYMPOSIUM] BOOK CLUB
Deutsch: Why are flowers beautiful?
Friday, 14 September 2018, 18:30–21:00
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by John Fortnum
Suggested donation £2, booking via Eventbrite

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.[ART&CRITIQUE] WORKSHOP
What is Alternative Art Education?
Friday, 20 July 2018, 10am-8pm
5th floor, Tate Modern, London SE1 9TG
UK Commons Assembly @School for Civic Action
All welcome, booking via Eventbrite

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn.[ART&CRITIQUE] OPEN MEETING
General Meeting
13 July 2018, 18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
All welcome

[SYMPOSIUM]#27 Fisher Capitalist Realism Pt 2. Flyer by Sophia Kosmaoglou_thumb[SYMPOSIUM] BOOK CLUB
Mark Fisher: Capitalist Realism Pt.2
Saturday, 9 June 2018, 14:30–17:30
Yurt Café, St. Katharine’s Precinct, 2 Butcher Row, London E14 8DS
Part of Antinuiversity Now 2018
Suggested donation £2, booking via Eventbrite

[ARTCRAWL] #14-flyer-thumb[ART&CRITIQUE] ART CRAWL
Deptford Art & Gentrification Walk
Saturday 26 May 2018, 12:00 -19:00
Meet 12pm at Deptford Railway Station, London SE8 3NU
Curated by Sophia Kosmaoglou
All welcome, booking not required

#27 Derrida Signature Event Context_signature[SYMPOSIUM] BOOK CLUB
Derrida: Signature Event Context
Friday, 11 May 2018, 18:30–21:00
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Nat Pimlott and Sophia Kosmaoglou
Suggested donation £2, booking via Eventbrite

[SYMPOSIUM] BOOK CLUB
Derrida: Structure, Sign and Play
Friday, 13 April 2018, 6:30pm–9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Sophia Kosmaoglou
Suggested donation £2, booking via Eventbrite

Gerhard Richter [1963] Party. Oil, nails, cord on canvas and newspaper, 150 x 182 cm.[SYMPOSIUM] BOOK CLUB
Mark Fisher: Capitalist Realism Pt.1
Friday, 9 March 2018, 6:30pm-9pm
The Field, 385 Queen’s Rd, London SE14 5HD
Facilitated by Sophia Kosmaoglou
Suggested donation £2, booking via Eventbrite

Enrico Baj [1972] The Funeral of the Anarchist Pinelli. Textured offset colour print, 75 x 68 cm. Edition 200.[SYMPOSIUM] BOOK CLUB
Cohn: Representation and Critique
Friday, 9 February 2018, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by
Aris Nikolaidis
Suggested donation £2, booking via Eventbrite

Neil Lamont [2006] Apple billboard on Paris metro. Digital photograph.[SYMPOSIUM] BOOK CLUB
Adam Curtis: HyperNormalisation
Friday, 12 January 2018, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by
Neil Lamont
Suggested donation £2, booking via Eventbrite

J.R. Eyerman [1952] Audience at the opening-night screening of Bwana Devil, the first full-length colour 3-D movie. Paramount Theatre, Hollywood, 26 Nov 1952.[SYMPOSIUM] BOOK CLUB
Debord: Negation & Consumption in Culture
Friday, 8 December 2017, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Aristotelis Nikolaidis
Suggested donation £2, booking via Eventbrite

[SYMPOSIUM] #21 Adorno Commitment. Flyer by Nat Pimlott.[SYMPOSIUM] BOOK CLUB
Adorno: Commitment
Friday, 10 November 2017, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Nat Pimlott
Suggested donation £2

[SYMPOSIUM]#20. Flyer by Dasha Loyko.[SYMPOSIUM] BOOK CLUB
Foucault: Of Other Spaces
Sunday, 15 October 2017, 1:30pm – 4:00pm
Yurt Café, St. Katharine’s Precinct, 2 Butcher Row, London E14 8DS
Facilitated by Dasha Loyko
Free, booking via Eventbrite

FIRST 100% OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY[ART&CRITIQUE] WORKSHOP
What is alternative art education?
FIRST OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY
Sunday, 1 October 2017, 1pm—6pm
Set Space, 76-89 Alscot Road, London SE1 3AW
Booking via Eventbrite

[ARTCRAWL]#13. Flyer by Mandy Wong.[ART&CRITIQUE] ART CRAWL
Marylebone to South Kensington

Saturday, 30 September 2017, 1:45pm—5pm
Meet 1:45pm at Lisson Gallery 27 Bell Street London NW15BY
Curated by Anca Baciu and Mandy Wong

All welcome, booking not required

Tania Bruguera & Anri Sala [2005] Cátedra Arte de Conducta (Behavior Art School), Havana, Cuba.[SYMPOSIUM] BOOK CLUB
Bishop: Pedagogical Projects
Monday, 24 July 2017, 19:00–21:00
Guest Projects, 1 Andrews Road, London E8 4QL
Chaired by Renata Minoldo
Part of School of The Damned‘s Common Room
Free, please book your place

The Other MA (TOMA)[ART&CRITIQUE] ART CRAWL
Visit to TOMA in Southend-on-Sea
Sunday, 23 July 2017, 12:20-18:00
Meet 12:20pm at Southend Central Station, Southend-on-Sea SS1 1AB
Curated by Emma Edmondson

All welcome, please book your place

OPEN MEETING[ART&CRITIQUE] OPEN MEETING
Self-organisation
14 July 2017
18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
All welcome, no need to book

[ARTCRAWL] #11[ART&CRITIQUE] ART CRAWL
Hampstead to Finsbury Park (via Mayfair)
Saturday, 24 June 2017, 14:00 -17:00
Starts 2pm at Freud Museum 20 Maresfield Gardens London NW3 5SX
Curated by Sophia Kosmaoglou
Free, booking not required

Kinki Club, Bologna. Photo courtesy Graziella Ronchi for Spaghetti Disco - Creare Spazio Alle Memorie 1975-85, Red Gallery, London, Oct 2016, curated by Lorenzo Cibrario[SYMPOSIUM] BOOK CLUB
Virno: The Dismeasure of Art
Friday, 9 June 2017, 18:00 – 20:00
Tropics Café, Grow Elephant, New Kent Road, London SE17 1SL
Chaired by Rubén Salgado Perez
Free, please book your place

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn[ART&CRITIQUE] OPEN MEETING
Alternative Art Education & Co-operation
Friday, 12 May 2017
18:30 – 20:30
Kupfer, Arch 213, Ponsford Street, London E9 6JU
Free, booking not required

Claes Oldenburg [1964] Soft Light Switches. Vinyl filled with Dacron and canvas, 119.4 x 119.4 x 9.1 cm.[SYMPOSIUM] BOOK CLUB
Judd: Specific Objects
Friday, 21 April 2017, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Richard Burger
Free, please book your place

Richard Giblett [2008] Mycelium Rhizome. Graphite on paper, 120 x 240 cm.[SYMPOSIUM] BOOK CLUB
Deleuze & Guattari: Rhizome
Friday, 10 March 2017, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Katie Tysoe and Sophia Kosmaoglou
Free, fully booked

Piero Manzoni [1961] Artist's Shit (Merda d'artista). 90 tin cans, each filled with 30 grams faeces, 4.8 x 6.5 cm.[SYMPOSIUM] BOOK CLUB
Marx: The Fetishism of the Commodity and its Secret
Friday, 10 February 2017, 18:00 – 20:30
Wimbledon Art Studios, 10 Riverside Rd, London SW17 0BB
Chaired by Sophia Kosmaoglou
Free, please book your place

[ARTCRAWL]#10web[ART&CRITIQUE] ART CRAWL
Mayfair to Fitzrovia
Saturday, 28 January 2017
14:00 -17:00
Curated by Cristina Sousa Martínez
Free, booking not required

Wassily Kandinsky [1923] Circles in a Circle. Oil on canvas, 98.7 x 96.6 cm.[SYMPOSIUM] BOOK CLUB
O’Sullivan: The Aesthetics of Affect
Friday, 13 January 2017, 18:00 – 20:30
Louise House, Dartmouth Rd, London SE23 3HZ
Chaired by Katie Tysoe
Free, please book your place

Penelope Kupfer [2015] Moth (detail). Ink on paper, 1654mm x 2054mm.[SYMPOSIUM] BOOK CLUB
Foucault: The Four Similitudes
Friday, 9 December 2016, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Penelope Kupfer
Free, please book your place

Johanna Kwiat [2016] Untitled. Digital image.[ART&CRITIQUE] STUDIO CRIT
Johanna Kwiat: Tampering
Saturday, 3 December 2016
14:00 – 1600
Studio, 19 Farquhar Road, London SE19 1SS
Free, please book your place

[ARTCRAWL] #9web[ART&CRITIQUE] ART CRAWL
Hampstead to Camden Town
Saturday, 26 November 2016
14:00 – 17:00
Curated by Katy Green
Free, booking not required

Josef Albers Preliminary class group critique. Bauhaus Dessau, 1928-29. Photo by Otto Umbehr.[ART&CRITIQUE] WORKSHOP
Critiquing the Crit
Saturday, 19 November 2016, 13:00 – 16:00
The Field, 385 Queens Road, London SE14 5HD
Led by Sophie Barr
£5, please book your place

Isa Genzken [1991] X-Ray. Gelatin silver print, 100 x 80 cm.[SYMPOSIUM] BOOK CLUB
Foster: Post-Critical?
Friday, 11 November 2016, 6:00pm – 8:30pm
The Field, 385 Queens Road, London SE14 5HD
Chaired by Dasha Loyko
Free, please book your place

[GALLERYCRAWL] #8[ART&CRITIQUE] GALLERY CRAWL
Camberwell to Peckham
Saturday, 29 October 2016
14:00 – 17:00
Curated by Sophia Kosmaoglou
Free, booking not required

Dasha Loyko [2016] Tips For Designing Your Dream Bathroom (maquette of central fragment).[ART&CRITIQUE] STUDIO CRIT
Dasha Loyko: Autonomy and Critique
Saturday, 15 October 2016
15:00 – 17:00
The Field, 385 Queens Road, London SE14 5HD
Free, please book your place

Alain Badiou and Kerry W. Purcell have lunch in 2015.[SYMPOSIUM] BOOK CLUB
Badiou: Art & Philosophy
Friday, 14 October 2016, 18:00 – 20:30
The Field, 385 Queens Road, London SE14 5HD
Chaired by Kerry W. Purcell
Free, please book your place

[GALLERYCRAWL] #7web[ART&CRITIQUE] GALLERY CRAWL
Mayfair to St James (via Soho)
Saturday, 24 September 2016
14:00 – 17:00
Curated by Sophia Kosmaoglou
Free, booking not required

Last Year at Marienbad [1961] Dir. Alain Resnais. France-Italy, black & white, 94min.[SYMPOSIUM] BOOK CLUB
Sontag: Against Interpretation
Friday, 9 September 2016, 18:00 – 20:30
The Field, 385 Queens Road, London SE14 5HD
Chaired by F. D.
Free, please book your place

[GALLERYCRAWL] #6[ART&CRITIQUE] GALLERY CRAWL
Mayfair to Fitzrovia
Saturday, 30 July 2016
14:00 – 17:00
Curated by Sophia Kosmaoglou
Free, booking not required.

Jo Wolf [2016] DATA.0, 3/8. Acrylic on canvas, 5 x 5 inches.[ART&CRITIQUE] STUDIO CRIT
Jo Wolf: DATA
Saturday, 9 July 2016, 14:00 – 16:00
The Field, 385 Queens Road, London SE14 5HD
Free, please book your place

Paul Klee [1920] Angelus Novus. Oil transfer and watercolor on paper, 31.8 × 24.2 cm.[SYMPOSIUM] BOOK CLUB
Groys: Under the Gaze of Theory
Friday, 8 July 2016, 18:00 – 20:30
The Field, 385 Queens Road, London SE14
Chaired by Sophia Kosmaoglou, Respondent Johanna Kwiat
Free, please book your place

[GALLERYCRAWL] #5 webflyer[ART&CRITIQUE] GALLERY CRAWL
Hackney to Shoreditch
Saturday, 25 June 2016
14:00 – 17:00
Curated by Dasha Loyko
Free, booking not required

Juno Ludovisi plaster cast. Junozimmer, Goethe Haus, Weimar. Photo NFG Library and KG Beyer, Weimar 1975, plate 8.[SYMPOSIUM] BOOK CLUB
Rancière: Problems & Transformations of Critical Art
Friday, 10 June 2016, 18:00 – 20:30
The Field, 385 Queens Road, London SE14
Chaired by Stephen Bennett
Part of Antiuniversity Now!
Free, please book your place

[GALLERYTOUR] #4 webflyer[ART&CRITIQUE] GALLERY WALK
Hackney to Shoreditch
Saturday, 4 June 2016
14:00 – 17:00
Curated by Penelope Kupfer
Free, booking not required

[GALLERYTOUR] #3 webflyer[ART&CRITIQUE] GALLERY TOUR
Hyde Park to Shadwell
Saturday, 14 May 2016
14:00 – 18:00
Curated by Penelope Kupfer
Free, booking not required

Raoul Hausmann [1919-20] The Art Critic. Lithograph and photographic collage on paper, 318 x 254mm.[SYMPOSIUM] BOOK CLUB
Sewell: Tate Triennial III
Friday, 13 May 2016, 18:00 – 20:30
The Field, 385 Queens Road, London SE14
Chaired by Richard Lloyd-Jones
Free, please book your place

[GALLERYTOUR] #2 web-flier[ART&CRITIQUE] GALLERY TOUR
Whitechapel to Liverpool Street
Saturday, 30 April 2016
14:00 – 17:00
Curated by Sophia Kosmaoglou
Free, booking not required

Marcel Duchamp [1942] Behind Mile of String. First Papers of Surrealism, New York. Photo by Arnold Newman.[SYMPOSIUM] BOOK CLUB
Duchamp: The Creative Act
Friday, 8 April 2016, 18:00 – 20:30
The Field, 385 Queens Road, London SE14
Chaired by F. D., Respondent Penelope Kupfer
Free, please book your place

Maria Christoforatou [2015-ongoing] Dislocated series. Collage on paper, 21 x 14.8cm.[ART&CRITIQUE] STUDIO CRIT
Maria Christoforatou: Displacement
Sunday, 20 March 2016
14:00 – 16:00
The Field, 385 Queens Road, London SE14
Free, please book your place

[GALLERYTOUR] #1 web-flier[ART&CRITIQUE] GALLERY TOUR
Hoxton to Mile End
Saturday, 19 March 2016
14:00 – 17:00
Curated by Sophia Kosmaoglou
Free, booking not required

Lloyd, John Uri & Curtis Gates Lloyd [1884] Plate XXIII. A fresh rhizome of Cimicifuga racemosa. In Drugs and Medicines of North America. Cincinnati: Lloyd & Lloyd.[SYMPOSIUM] BOOK CLUB
Latour: On Actor Network Theory
Friday, 11 March 2016, 6:00pm – 8:30pm
The Field, 385 Queens Road, London SE14
Chaired by Johanna Kwiat
Free, please book your place

[BOOKCLUB] #4 Barthes: The Death of the Author Friday, 12 February 2016, 6:00-8:30pm.[SYMPOSIUM] BOOK CLUB
Barthes: The Death of the Author
Friday, 12 February 2016, 6:00pm – 8:30pm
The Field, 385 Queens Road, London SE14
Chaired by Henrietta Ross
Free, please book your place

Sherrie Levine [1980] Untitled (After Edward Weston). Gelatin silver print.[SYMPOSIUM] BOOK CLUB
Owens: The Discourse of Others
Friday, 8 January 2016, 6:00pm – 8:30pm
The Field, 385 Queens Road, London SE14
Chaired by Sophia Kosmaoglou
Free, please book your place

Omar Joseph Nasser Khoury [2011] Silk Thread Martyrs. Ccollection of 22 garments, each unique. Embroidered, fabric, coloured and dyed by hand using natural materials (indigo, tea).[SYMPOSIUM] BOOK CLUB
Abu-Lughod: Writing against Culture
Friday, 11 December 2015, 6:00pm – 8:30pm
The Field, 385 Queens Road, London SE14
Chaired by OmarJoseph Nasser-Khoury
Free, please book your place

First page of An Answer to the Question: What is Enlightenment by Immanuel Kant, Berlinische Monatsschrift. Dec 1784, pp. 481-494.[SYMPOSIUM] BOOK CLUB
Kant: What is Enlightenment?
Friday, 13 November 2015, 6:00pm – 8:00pm
The Field, 385 Queens Road, London SE14
Chaired by Sophia Kosmaoglou
Free, please book your place

STUDIO CRITIQUE

Johanna Kwiat: Tampering

Saturday, 3 December 2016, 14:00–16:00
Studio, 19 Farquhar Road, London SE19 1SS
Rail/Overground: Crystal Palace, Gipsy Hill

In December we’re heading to Crystal Palace to view and discuss the work of Johanna Kwiat. After graduating from Anthropology at Goldsmiths College, Johanna studied Fine Art at Working Men’s College in London. She is based in London and currently works from ASC studios. Johanna is a co-founder partner of Art Brixton.

Johanna Kwiat [2011] Artemisia at IKEA. Photographic print (still from a mobile phone film), 32 x 24 cm.
Johanna Kwiat [2011] Artemisia at IKEA. Photographic print (still from a mobile phone film), 32 x 24 cm.

Most of my practice happens outside of the studio and/or gallery context. My practice is rooted in my everyday life. My work is a material or intellectual explosion culminating a long process of analyses or annoyingly circular thoughts, images and tensions. I work with mixed media, often with what I find available, and select that which is relevant to communicate my ideas. I have been preoccupied with themes of cultural myths of identity, gender and the autonomy of reason, as well as the nature of reality we live in and the possibility of circumventing its constraints. I think a lot about alienation (self and structurally imposed) and especially the persistent and seemingly universal need of private ownership, its relation with everyday violence, specifically the unseen, hidden or unspoken. I am interested in violence as an inherent quality of relationships. And yet my work is most of all an intimate history. I rework my story, parts of which I find echoed in others’ histories: imposed gender, gender roles, sexuality and forms of representation. I look at relationships between people, natural forms, signs of social aspiration and financial standing. I tamper with them. Acting out in social, public space is what interests me, and describes the way I work. I steal estate agents’ signs from real life locations. I invade an environment, space or context and question its familiar set-up.

Johanna Kwiat [2014] OutGrown (detail). Installation, reclaimed estate agents' signs, acrylic paint.
Johanna Kwiat [2014] OutGrown (detail). Installation, reclaimed estate agents’ signs, acrylic paint.
Johanna Kwiat [2016] Sanity – Work In Progress. Performance Crystal Palace – Pimlico, two weeks and two days.
Johanna Kwiat [2016] Sanity – Work In Progress. Performance Crystal Palace – Pimlico, two weeks and two days.
Johanna Kwiat [2016] Untitled. Digital image.
Johanna Kwiat [2016] Untitled. Digital image.

An opportunity for artists, curators, designers, film-makers and other producers to present their work to an audience of peers for discussion and feedback.

This event is free and open to everyone. Please book your place. If you’d like to show your work please scroll down for more information and the event archive.

Showing your work

STUDIOCRITS typically focus on the work of one artist at their studio or other appropriate venue. There is no standard format however, because everyone’s practice is different.

If you’re interested in showing your work at a STUDIOCRIT please download the infosheet and follow the directions to send us your proposal.

VENUE The venue will most likely be your studio. If you don’t have a studio don’t worry, we can find an alternative. You might have an exhibition on, you might show your work in your flat, community space or temporarily available space. The space needs to be appropriate for the display of your work with a capacity for about 10 people.

DATE & TIME We will set a date and time that is most convenient for you and your venue. Weekends and weekday evenings are convenient times for most people. The crit normally lasts two hours with a break in the middle. Please consider providing snacks and refreshments.

STRUCTURE Think about what work you would like to show and how you would like to structure and conduct the crit. We will discuss this and identify or develop a format that is suited to your work. Think about the practical or theoretical questions that you would like to raise, what aspects of your practice would you like to draw attention to and discuss?

DOCUMENTATION Please prepare a short bio and up to 6 images of your work for the website. This is to give potential audience members an idea of what your work, practice and/or research is about, attracting an audience with common interests. We will work together to present your work in the best possible way.

BIO Please prepare a short bio no longer than 250 words. This should outline your practice, background, education and what you are interested in exploring in the STUDIOCRIT, highlighting the topics and themes that you would like to address in the discussion.

IMAGES Choose up to 6 images that best represent the questions that you would like to raise about your practice. The maximum resolution for images is 923 pixels on the longest side, if in doubt and for the best results please send hi-res images. Please send captions with your images and include the title, date, materials and dimensions/duration for each one.

STATEMENT You might want to discuss an artist statement or application/proposal in conjunction with your work. Your statement should be no longer than 500 words, please print 15 copies and bring them along.

ARCHIVE
#01 Maria Christoforatou: Displacement▾

Sunday, 20 March 2016, 2:00pm – 4:00pm
The Field, 385 Queens Road, London SE14 5HD
Rail/Overground: New Cross Gate, Queens Road Peckham

Maria Christoforatou [2011] Untitled (small house). Balsa wood and china porcelain, 18 x 18 x 18cm.
Maria Christoforatou [2011] Untitled (small house). Balsa wood and china porcelain, 18 x 18 x 18cm.

Maria Christoforatou lives and works in London. Her practice is concerned with the unnerving relation between belonging and unbelonging examined through the notion of one’s home. Maria received her BA (Hons.) in Fine Art from the Athens School of Fine Arts (ASFA) in Greece and her MA in Painting/Fine Art from Wimbledon College of Arts, University of the Arts London. She recently graduated from Chelsea College of Arts, University of the Arts London with an MPhil in Fine Art Practice-based research. Her research focuses on narratives of home and displacement in contemporary art practice. She investigates experiences of displacement through the idea of home, where ‘home’ is identified, mediated and ‘re-made’ through media and materials of different kinds, and how objects both mediate for the artist and become agents of experience for the viewer.

Maria Christoforatou [2015] Constructing spaces series. OHP projector installation.
Maria Christoforatou [2015] Constructing spaces series. OHP projector installation.
Maria Christoforatou [2015-ongoing] Dislocated series. Collage on paper, 21 x 14.8cm.
Maria Christoforatou [2015-ongoing] Dislocated series. Collage on paper, 21 x 14.8cm.
#02 Jo Wolf: DATA▾

Saturday, 9 July 2016, 2:00pm – 4:00pm
The Field, 385 Queens Road, London SE14 5HD
Rail/Overground: New Cross Gate, Queens Road Peckham

Based in London, Jo Wolf works conceptually with mixed media. Although her pieces result from an act of inquiry, the consequent material form is equally relevant to the idea. Coming from a DIY culture and maker’s background, Jo studied at Camberwell College then Central Saint Martin’s and after graduating in 2005, has maintained a pre-emerging position of artistic obscurity. From 2008 she took an interest in the cause alongside the impact of the economic crisis and responded by creating a limited collection of 3D design and 2D depictions of mass circulated imagery. Her recent series sees a return to abstract compositions.

DATA: a series of observations, measurements or facts. From Latin: dare to give.

The DATA series consists of two sets of eight canvases, entitled DATA.0 and DATA.1, which were inspired by a reading of ‘The Death of the Author’. Written in 1967, the French literary critic and theorist Roland Barthes proclaimed, ‘a text’s unity lies not in its origin but in its destination’, and that ‘It is language which speaks, not the author’. He states that ‘a text is … drawn from many cultures and entering into mutual relations of dialogue, parody, contestation, but there is one place where this multiplicity is focused and that place is the reader…’

Bathes offers a theory that informs our understanding of this realm of reading and interpretation. Applicable not only to the written text however, which is open to translation and elucidation, it is also considered in the reception of a work of art. Yet the visual text or artwork often conveys information through media with the omission of written language. Our understanding of art is affected by what we know and believe, a perception based on learned assumptions regarding taste, truth, beauty, status, experience, etc. The authority of a work of art and its meaning alters according to the context in which it appears and although artists may give a rationalized explanation of their work, the gap between words and what we see may not be completely settled.

In the art world, critics hold the strongest platform from which to deliver their views of the artwork, beyond the artist, yet their opinions often expand or contradict the original said intentions. This process of presentation and judgment begins in art school, in the critique. DATA tells an abstract tale of one experience of this process, it also raises questions about the role of the crit and the significance of the rhetoric.

DATA.0: Eight relatively small square paintings consisting of the basic elements of painting, in an aesthetically purified abstract form, question the conceptual relationship between the object/canvas, text/title and meaning.

DATA.1: Constructed from silks of unrestricted colours, the larger canvases mirror the geometric compositions of the first series and although removed from the realm of painting, pose the same questions.

#03 Dasha Loyko: Autonomy and Critique▾

Saturday, 15 October 2016, 3:00pm – 5:00pm
The Field, 385 Queens Road, London SE14 5HD
Rail/Overground: New Cross Gate, Queens Road Peckham

I am a London-based artist who is currently in the process of applying to MFA programmes. I was born in 1995 in Minsk, Belarus, and moved to the UK in 2009, at the age of 14. I am now in my third year of BSc in Philosophy at LSE. I received some formal art training in Minsk but have since practised independently and in the recent years my work has taken a much more conceptual turn. My research has been fuelled by the study of philosophy, critical theory and I have recently become fascinated by the notion of the abject. I work across a wide range of media and my practice could roughly be divided into two categories: institutional critique and the art driven by my preoccupation with human autonomy.

Dasha Loyko [2016] Tips For Designing Your Dream Bathroom (maquette of central fragment).
Dasha Loyko [2016] Tips For Designing Your Dream Bathroom (maquette of central fragment).

1. Autonomy

Through painting, video, sculpture and installation, I explore the relationship between subject and object. My departure point is the notion of the border of your own body. I am interested in the construction of psychological and physical barriers and in distancing yourself from the rest of the world as a necessary part of identity formation. Personal space, privacy, autonomy and the sense of your body as having definite borders, as being discontinuous from everything else around you, are some of the concerns which underpin my practice.

Some of the materials I choose to use, such as gloves or shower curtains, have a literal meaning as barriers but I also want them to evoke tactile associations. In the everyday life these are some of the things which are connected with disgust at touching something unpleasant, toxic, sticky, or wet. I want this tactility and also the scale of my work to act as a connecting link between the piece and the viewer, so that she can relate to it and measure it up against her own body.

A few worries arise: Do the tactile associations function in the same way for the audience as they do for me? Does the medium of painting divert the attention away from the conceptual issues and towards the formalist ones?

Dasha Loyko [2016] Nude (Grey on Yellow). Oil on canvas, 100 x 110 cm.
Dasha Loyko [2016] Nude (Grey on Yellow). Oil on canvas, 100 x 110 cm.
Dasha Loyko [2016] Maman (video still). Immersive installation. Video, 3-10min independent loops.
Dasha Loyko [2016] Maman (video still). Immersive installation. Video, 3-10min independent loops.

2. Critique

In my critical work I address the following questions: What does it mean for a work of art to be a success or a failure? What does it mean for text to be ‘about’ an artwork? How and why is an artwork legitimised through discourse? I reflect on the process of research and the constant chase after innovation. I also wonder whether addressing these worries should necessarily be branded as critique.

Dasha Loyko [2016] IMG_001. Aliminium print, 101 x 101 cm.
Dasha Loyko [2016] IMG_001. Aliminium print, 101 x 101 cm.

ABOUT

ART&CRITIQUE is a London-based, peer-led alternative art education network dedicated to critical engagement with contemporary art. We employ collaborative, co-operative and collective models of pedagogy and organisation and foster alternative models of art education in a series of public events.

ART&CRITIQUE is open-access, self-organised, self-funded and non-profit. If you’d like to get involved, or if you have an idea for an event or collaboration, please come along to an event or get in touch.

Our privacy policy is available here.

MEMBERS & CONTRIBUTORS

Alter UsAlter Us

An emergent London based multidisciplinary collective that attempts to question and offer solutions regarding our contemporary context. Their concerns relate to the challenges presented by the Anthropocene, sustainability, disconnection, individualism, Artificial Intelligence, inequalities, among others.

Stephen BennettStephen Bennett

MA Art and Science student at Central Saint Martins (UAL) for 2016-2018. Deputy Head of Foresight in the UK Government Office for Science. Interested in maps, reflections, glass, depth, art-science-politics, socio-economics, climate change, demography, paint and photography.

Richard Burger Richard Burger

Richard is a painter. He studied in open access courses at the Chelsea College of Art and at the Art Student League of New York. His practise focuses on portraiture and landscape mainly in oils. One of Richards portraits was selected for exhibition at the NPG BP portrait awards 2016. In the same year he was accepted for a residency at the Vermont Studio Center.

Maria ChristoforatouMaria Christoforatou

Maria Christoforatou is an artist & visiting lecturer at University of the Arts London. She completed a practice-based MPhil at Chelsea College of Arts & an MA in Fine Art at Wimbledon College of Arts. Her research investigates experiences of displacement through the idea of home & the ways that objects mediate for the artist & become agents of experience for the viewer.

Amanthi HarrisAmanthi Harris

Amanthi is an artist & writer. She studied at Central St Martins & Bristol University. She won the Gatehouse Press New Fictions Prize 2016 for Lantern Evening (2017). Her short stories have been published & broadcast on BBC Radio4. She is part of the V22 Artist Collective & works in 3D & drawing. She runs StoryHug, a project making art & stories in the community.

Laura HudsonLaura Hudson

Laura Hudson is an artist, writer and freelance curator with a background in experimental film, digital technologies and sustainable agriculture. She studied Evironmental Art at Glasgow School of Art & Moving Image at Central St Martins. She worked for Women In Profile, London Filmmakers Co-op, Cinenova Feminist Film Distribution, Arts Council England & FluxIT.

Sophia KosmaoglouSophia Kosmaoglou

Sophia is an artist, tutor, curator and researcher. She completed a practice-based PhD in Fine Art at Goldsmiths in 2012 and founded ART&CRITIQUE in 2015. She teaches studio practice, critical and contextual studies, history & philosophy of art, curating, video & film production. Research interests include art and politics, art education, radical pedagogy and self-organisation.

Johanna KwiatJohanna Kwiat

Johanna is an artist based in London. She studied anthropology at Goldsmiths & is a co-founder of ArtBrixton. Her work explores self-containment & the struggle against the violence of the mundane in domesticity, relationships & work. She performs in public places with incidental or no human audience & extends her performances through photographs, diagrams & installations.

Dasha LoykoDasha Loyko

Dasha Loyko is a practising artist and researcher with a background in philosophy. She works across media, from painting and collage to installation and film. In October 2017 she will begin her studio-based MA in Critical Practice at the Royal College of Art.

Cristina Sousa Martínez Cristina Sousa Martínez

Cristina is a curator & art blogger from Mexico. Her research interests are the concepts of infinity, tear & language-games. Her first exhibition as a curator was about an infinite causal chain of words, Transitivity of Implication (2016). She’s an intern at the Museum of Portable Sound as a Curatorial Assistant, she likes to experiment with sound, video & watercolour.

Elliot C. MasonElliot C. Mason

Elliot is a playwright and founding member of Penny Drops Collective, a radical artist / theatre group.

 

Aristotelis NikolaidisAristotelis Nikolaidis

Aris completed a PhD in media & communications at Goldsmiths and has been involved in free and self-organised language programmes for migrants and refugees. He teaches & researches in the field of social theory & media studies from a critical perspective, which means that he is at odds with marketization, careerism & precarious labour conditions in the university.

Rubén Salgado Perez Ruben Salgado Perez

Ruben is a researcher & currently Diversity Champion at the V&A. He completed an MA in Aesthetics & Cultural Policy at City University (2014) and co-founded the curatorial collective Un-Mapping Futures (2017). His published work explores the intersections between philosophy of art, public participation and the production of discourse on art and its publics.

ART&CRITIQUE is an alternative education network dedicated to critical engagement with contemporary art practice and theory. To get involved please come along to an event. ART&CRITIQUE is self-funded and volunteer-run.

 

 

Tampering & Similitudes

For our first event in December we’re heading to leafy Crystal Palace for a [STUDIOCRIT]. Join us this Saturday, 3 December to view the work of Johanna Kwiat and discuss Tampering, survival and the everyday. This event is free but due to limited capacity booking is essential.

On Friday, 9 December we’re reading The Four Similitudes from The Order of Things by Michel Foucault (1970) at [SYMPOSIUM]. This discussion will be chaired by Penelope Kupfer. Please note that this event is taking place at MayDay Rooms.* For more information, to book your place and download the text please follow the links.

There’s no [ARTCRAWL] in December 2016 while we have a winter break but it will be back again on the last Saturday of the month from January 2017.

If you would like to get involved and show your work in a [STUDIOCRIT], chair the [SYMPOSIUM] book club on a text of your choice, curate an [ARTCRAWL], run a [WORKSHOP] or other event please get in touch.

*The Field will be closed during the next couple of months for renovations and maintenance. If you know any free or affordable venues for our events in the meantime please let us know.

Johanna Kwiat [2016] Sanity - Work In Progress. Performance Crystal Palace - Pimlico, hair, duckweed, two weeks and two days.

[STUDIO CRIT] Johanna Kwiat: Tampering
Saturday, 3 December 2016, 14:00–16:00
19 Farquhar Road, London SE19 1SS
Rail: Crystal Palace, Gipsy Hill
Free, please book your place
In December we’re heading to Crystal Palace to view and discuss the work of Johanna Kwiat. After graduating from Anthropology at Goldsmiths College, Johanna studied Fine Art at Working Men’s College in London. She is based in London and currently works from ASC studios. Johanna is a co-founder partner of Art Brixton.

Penelope Kupfer [2015] Moth (detail). Ink on paper, 1654mm x 2054mm.[SYMPOSIUM] Foucault: The Four Similitudes
Friday, 9 December 2016, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Penelope Kupfer
Free, please book your place
On Friday, 9 December we’re reading The Four Similitudes from The Order of Things by Michel Foucault (1970).

IMAGE CREDITS
Johanna Kwiat [2016] Sanity – Work In Progress. Performance Crystal Palace – Pimlico, two weeks & two days.
Penelope Kupfer [2015] Moth (detail). Ink on paper, 1654 x 2054mm.

Critique / Post-Critique

In November we’re celebrating our first year of self-organised collective action in art education! Join us for a drink at the Montague Arms (289 Queen’s Rd, London SE14 2PA) from 9pm on 11 November 2016. Earlier on the same day we’re reading Hal Foster’s essay Post-Critical? with Dasha Loyko. On 19 November join us on the workshop Critiquing the Crit with Sophie Barr. We will deconstruct the art school crit and create our own crit models in a supportive environment. On 26 November we’re crawling from Hampstead to Camden Town with Katy Green. For more details on these events and other opportunities please read on.

Isa Genzken [1991] X-Ray. Gelatin silver print, 100 x 80 cm.[SYMPOSIUM] Hal Foster: Post-Critical?
Friday 11 November 2016, 18:00-20:30
The Field, 385 Queens Road, London SE14 5HD
Free, due to limited capacity booking is essential
On Friday, 11 November we’re reading Post-Critical? from Hal Foster’s collection of essays Bad New Days: Art, Criticism, Emergency (2015). This discussion will be chaired by Dasha Loyko. Foster assesses the negative change of attitude towards criticality, from the distrust of the elitist and out-of-touch critic to the need for affirmation in the post-9/11 age. He evaluates the arguments proposed by Latour and Ranciere against criticism, raising contemporary social issues which call for a return of criticality. Please visit the website for more information, to book and download the shared document.

Josef Albers Preliminary class group critique. Bauhaus Dessau, 1928-29. Photo by Otto Umbehr.Critiquing the Crit: A workshop with Sophie Barr
Saturday, 19 November 2016, 13:00 – 16:00
The Field 385 Queens Road, London SE14 5HD
£5, due to limited capacity booking is essential
This three-hour workshop is designed to help you to get the most out of your group critique by taking ownership of your feedback. During the workshop you will consider the most important aspects of giving and receiving feedback/criticism and you will have the opportunity to design and test your own crit model. Please bring along a work in progress to participate in a micro-crit. Critiquing the Crit will be led by artist and lecturer Sophie Barr. For more information and to book please visit the website.

[ARTCRAWL] #9web[ARTCRAWL] Hampstead to Camden Town
Saturday 26 November 2016, 14:00 – 17:00
Camden Arts Centre, Arkwright Road, London NW3 6DG
Please visit the website for the schedule & map of the route
Free, booking not required
On Saturday, 26 November we’re and meeting at Camden Arts Centre to see an exhibition of Bonnie Camplin’s work. Then we will head to Zabludowicz Collection for the exhibition Basement Odyssey by Willem Weisman. Our final stop will be the group show Streams of Warm Impermanence with artists who work with Networked-Flesh at David Roberts Art Foundation. Please visit the website for the schedule with links to exhibition details and a map of the route.

IMAGE CREDITS
Isa Genzken [1991] X-Ray. Gelatin silver print, 100 x 80cm.
Josef Albers Preliminary class group critique. Bauhaus Dessau, 1928-29. Photo by Otto Umbehr.

Under the Gaze, Data, Crawl

We have three events coming up this month starting with a discussion of Boris Groys‘ essay Under the Gaze of Theory on Friday, 8 July and followed by a viewing and discussion of Jo Wolf‘s new work Data at the [STUDIOCRIT] on Saturday, 9 July.

On Saturday, 30 July we will wrap up the events for the summer with a [GALLERYCRAWL] from Mayfair to Fitzrovia. We’re taking a break in August but we will be back on Friday, 9 September with a discussion of Susan Sontag‘s essay Against Interpretation.

[SYMPOSIUM] #9 flyer[SYMPOSIUM] BOOK CLUB
Groys: Under the Gaze of Theory

Friday 8 July 2016
6:00-8:30pm
The Field, 385 Queens Road, London SE14 5HD
Free, please book your place

Jo Wolf [2016] DATA.0, 3/8. Acrylic on canvas, 5 x 5 inches.[ART&CRITIQUE] STUDIO CRIT
Jo Wolf: DATA

Saturday, 9 July 2016
2:00-4:00pm
The Field, 385 Queens Road, London SE14 5HD
Free, please book your place

[GALLERYCRAWL] #6[ART&CRITIQUE] GALLERY CRAWL
From Mayfair to Fitzrovia
Saturday 30 July 2016
2:00-5:00pm
Green Park Underground Station Piccadilly London W1J 9DZ
Free, no need to book

Last Year at Marienbad [1961] Dir. Alain Resnais. France-Italy, black & white, 94min.[SYMPOSIUM] BOOK CLUB
Sontag: Against Interpretation
Friday 9 September 2016, 6:00-8:30pm
The Field, 385 Queens Road, London SE14 5HD
Chaired by F.D.
Free, please book your place