Category Archives: NEWS

Heterotopias

Wade Guyton: Das New Yorker Atelier, Abridged. Sep 2017 - Feb 2018, Serpentine Gallery, London. Photo by Mandy Wong.
Wade Guyton: Das New Yorker Atelier, Abridged. Sep 2017 – Feb 2018, Serpentine Gallery, London. Photo by Mandy Wong.

We got the autumn season off to a great start last weekend! Thanks to Anca Baciu and Mandy Wong for curating, and to everyone who came along on the art crawl from Marylebone to South Kensington on Saturday. We started off with Allora & Calzadilla at the Lisson Gallery, where we wondered how the exhibition lives up to the political critique in the press release. Looking at Wade Guyton‘s work at the Serpentine, we wondered how the large-scale digital prints on stretched canvas or digital prints arranged in display cases are “pioneering painting techniques that explore the impact of digital technologies”. We more or less came to the conclusion that this could be justified by referencing the work’s engagement with formalist concerns such as flatness, surface, illusion etc. We got utterly exhausted by the V&A LGBTQ Tour, which was delivered with energy and enthusiasm. We unanimously applauded this excellent initiative, but were disappointed at the emphasis on anecdotal stories about celebrities.

First Alternative Education Open-Day. 1 October 2017, SET Space, London.
First Alternative Education Open-Day. 1 October 2017, SET Space, London.

Many thanks to School of the Damned for inviting is to participate in the First Alternative Education Open Day! It was a privilege to be part of this excellent landmark event that brought together a diverse array of alternative art schools and networks. We worked through a great deal of material in a relentless series of workshops, met new people, exchanged ideas, played games and had a great time. We collected the responses from workshop participants and we’re putting those together to share. In the meantime you can download our zine page with an A4 poster in colour or black & white.

[SYMPOSIUM]#20. Flyer by Dasha Loyko.[SYMPOSIUM] BOOK CLUB
Foucault: Of Other Spaces
Sunday, 15 October 2017, 1:30pm – 4:00pm
Yurt Café, St. Katharine’s Precinct, 2 Butcher Row, London E14 8DS
Facilitated by Dasha Loyko
Free, booking via Eventbrite

Our next event is the book club on Michel Foucault’s essay Of Other Spaces, facilitated by Dasha Loyko and hosted at Unison, a former lifeboat turned project space by Anastasia Freygangto create a shifting pocket of inquiries”. We’re meeting at Yurt Café, located next to Limehouse station before we walk to the boat moored nearby. For more information, to download the text and book your place please visit the page.

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
OCTOBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
ART SKOOL CO-OP. Poster by Sophia Kosmaoglou.
[SYMPOSIUM] #20 Foucault: Of Other Spaces. Flyer by Dasha Loyko.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.

Autumn Rituals

After a packed season of events and shared activities with alternative art schools we enjoyed the summer alright! Read the bulletin on our adventures and find out about some of the places and faces of the alternative art education movement.

Now we’re looking forward to autumn rituals, open days, book fairs, art affairs, bonfires and getting together with warm cups of tea to exchange ideas, make decisions and change the future of art education.

On Saturday, 30 September we’re joining Mandy Wong and Anca Baciu for a crawl from Marylebone to South Kensington. We’re looking forward to some interesting discussions when we visit exhibitions by Allora & Calzadilla at Lisson, Wade Guyton at the Serpentine, and wrap up with the V&A LGBTQ Tour.

On Sunday, 1 October we’re getting together for an exciting array of workshops at School of the Damned’s First 100% Official Unofficial Alternative Education Open-Day! If you want to come along, get involved or help out please see below for more details.

[ARTCRAWL]#13. Flyer by Mandy Wong.[ART&CRITIQUE] ART CRAWL
Marylebone to South Kensington
Saturday, 30 September 2017, 1:45pm – 5pm
Meet 1:45pm at Lisson Gallery 27 Bell Street London NW15BY
Curated by Anca Baciu and Mandy Wong
All welcome, booking not required

FIRST 100% OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY[ART&CRITIQUE] WORKSHOP
School of the Damned’s
First Official Unofficial Alternative Education Open-Day
Sunday, 1 October 2017, 1pm-6pm
Set Space, 76-89 Alscot Road, London SE1 3AW
Booking via Eventbrite

We’re contributing to School of the Damned’s Open Day with a participatory workshop on alternative art education and we need your help! If you want to come along, get involved or help out please get in touch by responding to this email or just meet us at Set Space on 1 October at 11am. This is a 30 minute workshop, scheduled to start at 1pm.

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
SEPTEMBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
[ARTCRAWL] #13 Marylebone to South Kensington. Flyer by Mandy Wong.
Sean Roy Parker [2017] HOW TO SELF-ORGANISE.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.

Alternative Art Schools

Louise Ashcroft [2017] All My Lives. Arebyte LASER, 17 July 2017.
Louise Ashcroft [2017] All My Lives. Arebyte LASER, 17 July 2017.
July was a busy month, we had several meetings and got together with alternative art schools to ignite a discussion on cooperation and exchange ideas on the future of education in the arts.

On Friday, 14 July we got together for an open meeting and workshop on self-organisation. We shared ideas and decided to follow-up with a series of workshops to address new questions that came up, to consider the part that self-organisation plays in alternative art education, and to address our own cooperative practices.

Sneak preview of 100% Southend, Twenty One, Southend-on-Sea. Photo Cristina Sousa-Martínez.
Sneak preview of 100% Southend, Twenty One, Southend-on-Sea. Photo Cristina Sousa-Martínez.

On Monday, 17 July it was great to catch up with members of AltMFA and  to hear all about their future plans at Louise Ashcroft’s exhibition All My Lives at Arebyte Laser.

Maximum Overdrive, 20 May - 10 Sep 2017. Focal Point Gallery, Southend-on-Sea.
Maximum Overdrive, 20 May – 10 Sep 2017. Focal Point Gallery, Southend-on-Sea.

On Sunday, 23 July we headed to Southend where were greeted by Tricia North and Michaela Bannon, two members of the first cohort of The Other MA (TOMA), a 12-month alternative art education model based at Metal Art School.  Hot on their heels was Emma Edmondson, founder and coordinator of TOMA, and we set off for an absolutely epic tour from Southend-on-Sea to Leigh-on-Sea.

Our first stop was the Railway Hotel, where we were joined by Simon Cole down from London on a different route. After catching up over vegan lunch and a drink we headed towards the seafront for a sneak preview of Twenty One, a brand new venue in Southend. We caught the installation of 100% Southend, an open access exhibition for the launch of the new space. We circled back through town to Focal Point Gallery to see the group exhibition Maximum Overdrive and Big Screen Southend, an open access rolling submission public screen. Follow the link to find out how to submit your work.

Emma Edmondson at Metal Art School, Southend-on-Sea.
Emma Edmondson at Metal Art School, Southend-on-Sea.

We passed the ostentatious University of Essex student accommodation building, the monumental VAT building, the Beecroft Art Gallery and enormous developments on the way to the Old Waterworks, an independent, artist-led space. We saw the artists’ studios, darkroom, printmaking facilities and Alison Lloyd’s exhibition Act 1 – 1 Act – Walking the Gallery, Closed – Walking Birchen Hat at Winch Gallery.

Richard Baxter's studio Old Leigh Studios, Leigh-on-Sea.
Richard Baxter’s studio Old Leigh Studios, Leigh-on-Sea.

Then we headed through streets of terraced houses to West Road Tap for a drink and chat about alternative art education and coops. We set off along London Road to Chalkwell Park, home of TOMA and Metal Art School. Emma gave us a tour of the studio spaces, the exhibition and meeting spaces, the cosy living quarters and work spaces with excellent views of the Thames estuary. Visit the website for more information on Time and Space Residencies at Metal, the next deadline is on 30 September 2017.

After bidding farewell to Metal and the beautiful park we got caught in a downpour which let up as soon as we got to Chalkwell station. The sun and tide were both out by the time we arrived Leigh-on-Sea where TOMA artist Richard Baxter’s studio is located. Richard told us about the boat-building history of the studio, he showed us his work and we talked about reading groups, practice, theory and choices in alternative art education.

Still somewhat damp from the storm we piled into the Mayflower to recount the the day over calamari and beer. We eventually had to run for the train back to London because we got carried away with the view of the moody estuary. For more images please see the album on our Facebook page. Thank you TOMA for a fantastic day!

Renata Minoldo [2017] Freehand embroidery. School of the Damned's Common Room, Guest Projects, 22-29 July 2017.
Renata Minoldo [2017] Freehand embroidery. School of the Damned’s Common Room, Guest Projects, 22-29 July 2017.
Sean Roy Parker [2017] Recycled pressings, work-in-progress. School of the Damned's Common Room, Guest Projects, 22-29 July 2017.
Sean Roy Parker [2017] Recycled pressings, work-in-progress. School of the Damned’s Common Room, Guest Projects, 22-29 July 2017.
School of the Damned [2017] Common Room, a public programme of free events. Guest Projects, 22-29 July 2017.
School of the Damned [2017] Common Room, a public programme of free events. Guest Projects, 22-29 July 2017.
On Monday, 24 July we had a special edition of the book club at School of The Damned‘s (SOTD) Common Room, a week-long public programme of free educational workshops, talks and participatory events at Guest Projects, 22-29 July 2017.

SOTD is an alternative contemporary art postgraduate course based in the UK. The school runs a labour exchange economy based, offering a series of skills hour-for-hour in return for guests’ time, venues workshop provision, etc.

For the book club, Renata Minoldo prepared and chaired a discussion on Pedagogical Projects: How do you bring a classroom to life as if it were a work of art? An essay from Claire Bishop’s 2012 book Artifical Hells on pedagogical participatory art projects.

The discussion was entirely unrestrained, we meandered beyond territories relevant to the text in several interesting directions, focusing mainly on pedagogical practice and ethics. We might benefit from a return to the text or a closer look at concepts such as Foucault’s notion of parrhesia (the obligation to speak openly), Adorno’s concept of autonomy and Guattari’s ethico-aesthetic paradigm and transversality in the context of art and education.

We were excited to meet several members of the SOTD class of 2018, aka Year of the Rooster before the book club, and to talk about their work. Sean Roy Parker ran a Wildflower and Floristry walk on the previous day and was busy  reconfiguring his collection of found objects  into new ensembles. We were sorry to miss the discussion on Self-organisation, Access and Sharing on the previous day and we heard all about the fascinating workshop Thinking with Water: Pooling resources, research and ideas with Emily Wooley.

We viewed the beautiful display of work  from Renata’s Freehand Embroidery Technique workshop from the previous day. Renata combines costume design, visual art and art education in her practice, she is interested in pedagogy, communities, education, interdisciplinarity and participatory art, both as member of SOTD’s class of 2018 and in the context of her art practice. She has compiled the School of the Damned Open Library, which focuses primarily on alternative art education.

Thanks to SOTD, Renata Minoldo and everyone who joined this riveting discussion on art, participation and pedagogy. It was a pleasure to be part of this exciting programme of events and to enjoy the positive energy of this friendly, cooperative and creative environment. The fallen fruit crumble was delicious.

Self-organisation

The bad news is that our application for the MayDay Rooms residency was unsuccessful. The good news is that we’re making progress with our research on alternative art education, radical pedagogy and self-organisation by developing our links with alternative art schools and self-organised groups in London and the UK.

If you’d like to get involved please come to the meeting on Self-organsation on Friday, 14 July 6:30-8:30pm. The meeting is a chance to discuss our plans to develop collaborative, cooperative and collective practices as part of our pedagogical remit.

We have a series of meet-ups with alternative art schools lined up in July. First up we’re joining AltMFA to view Louise Ashcroft’s solo exhibition All My Lives at Arebyte LASER on Monday, 17 July 2017, 6-9pm.

On Sunday, 23 July we’re visiting Southend-on-Sea to meet members of The Other MA (TOMA) for a tour of the art school, local galleries and artists’ studios led by Emma Edmondson, founder and coordinator of TOMA.

On Monday, 24 July we’re reading Claire Bishop’s essay Pedagogical Projects with Renata Minoldo. This special edition of the book club is part of School of the Damned‘s residency at Guest Projects.

See you there!

[ART&CRITIQUE] Open Meeting, 12 May 2017. Photo by Penelope Kupfer.[ART&CRITIQUE] OPEN MEETING
Self-organisation
Friday, 14 July 2017
18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
All welcome, no need to book

Louise Ashcroft [2017] All My Lives, Arebyte LASER.Meet-up with ALTMFA
Louise Ashcroft: All My Lives
Monday, 17 July 2017
18:00-21:00
Arebyte LASER, 2 Pear Tree Street, London EC1V 3SB
All welcome, no need to book

The Other MA. METAL Art School, Southend-on-Sea.[ART&CRITIQUE] ART CRAWL
Visit to TOMA in Southend-on-Sea

Sunday, 23 July 2017, 12:20-18:00
Meet 12:20pm at Southend Central Station, Southend-on-Sea SS1 1AB
Curated by Emma Edmondson

Free, please book your place

Tania Bruguera & Anri Sala [2005] Cátedra Arte de Conducta (Behavior Art School), Havana, Cuba.[SYMPOSIUM] BOOK CLUB
Bishop: Pedagogical Projects
Monday, 24 July 2017, 19:00–21:00
Guest Projects, 1 Andrews Road, London E8 4QL
Chaired by Renata Minoldo
Free, please book your place

Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
Mon-Fri, 7—11 August 2017, 10:00 – 16:00
Chelsea College of Art UAL, 16 John Islip Street, London SW1P 4JU
Tutor Sophia Kosmaoglou
Please follow the link for booking info

Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail)[OPPORTUNITIES & ANNOUNCEMENTS]
JULY 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
[ART&CRITIQUE] Open Meeting, 12 May 2017. Photo by Penelope Kupfer.
Louise Ashcroft [2017] All My Lives, Arebyte LASER.
The Other MA. METAL Art School, Southend-on-Sea.
Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail). Oil on canvas, 85 × 107 cm.

Dismeasure, diversity & dérive

Exciting times! We have a cornucopia of events and collaborations coming up in June and July, we’ve stared establishing co-operative practices and handing-over jobs, we submitted a residency application to MayDay Rooms to research and develop our educational programme and we’re submitting a workshop proposal for V22 Summer Club.

Teaching for people who prefer not to teach, edited by Miriam Bayerdörfer and Rosalie Schweiker, designed by Margherita Huntley. ANDpublishing 2017.

On 22 May we attended a talk by Rosalie Schweiker, the latest event in AltMFA’s Future Programme supported with funding from A-N. Rosalie and designer Margherita Huntley presented their forthcoming booklet titled Teaching for people who prefer not to teach. Inspired by the controversial Little Red SchoolbookTeaching for people who prefer not to teach is a collection of resources for zero-hours educators, it questions current teaching practices in art education, introducing collectivity, humour, experimentation and invisible labour. Rosalie also talked about her work policy, work experiences and collaborations with other artists, everyone shared their own experiences and we discussed precarity, exploitation, making good decisions and having boundaries. We also heard about the history of AltMFA, how it is organised and what problems they’ve encountered.

This Friday, 9 June we’re discussing The Dismeasure of Art, an interview with Paolo Virno at Cafe Tropics in Elephant & Castle. This event will be chaired by Rubén Salgado Perez and if the weather is good we will be sitting outside, followed at 8pm by a live band!

The [ARTCRAWL] is coming up on Saturday, 24 June. This month we’re venturing off the beaten path to visit and discuss exhibitions at the Freud Museum and Furtherfield, with a stop at Thomas Dane on the way.

In July we’re planning a joint workshop together with AltMFA and we’re going on an excursion to visit TOMA in Southend-on-Sea. Please stay tuned for more information.

Kinki Club, Bologna. Photo courtesy Graziella Ronchi for Spaghetti Disco - Creare Spazio Alle Memorie 1975-85, Red Gallery, London, Oct 2016, curated by Lorenzo Cibrario[SYMPOSIUM] BOOK CLUB

Virno: The Dismeasure of Art
Friday, 9 June 2017, 18:00 – 20:00
Tropics Café, Grow Elephant, New Kent Road, London SE17 1SL
Please note that this event will start promptly at 6pm
Free, please book your place

 [ARTCRAWL] #11[ART&CRITIQUE] ART CRAWL

Hampstead to Finsbury Park (via Mayfair)
Saturday, 24 June 2017
14:00 -17:00
Starts 2pm at Freud Museum 20 Maresfield Gardens London NW3 5SX
Free, booking not required

Imi Knoebel [2014] Raum 19 IV (detail). Galerie Christian Lethert, Cologne.[ART&CRITIQUE] COURSE
Curating Contemporary Art
3 – 7 July 2017
10:00 – 16:00
Chelsea College of Art UAL, 16 John Islip Street, London SW1P 4JU
Please see the page for booking info

Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
7 — 11 August 2017
10:00 – 16:00
Chelsea College of Art UAL, 16 John Islip Street, London SW1P 4JU
Please see the page for booking info

IMAGE CREDITS
Kinki Club, Bologna. Spaghetti Disco, Red Gallery, London, Oct 2016. Photo by Graziella Ronchi.
Poster for Sharing Diverse Practices on Common Ground, 10 June 2017 (detail), by Rachel Ara.
Anonymous. Rechthoekige cartouche, 16th century. Photo by Paul K, 2008.
Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail). Oil on canvas, 85 × 107 cm.

Alternative art education & co-operation

On Friday, 12 May 2017 we have an [OPENMEETING] to lay the foundations of a new alternative art school, coordinate future projects and institute collective ways of working at [ART&CRITIQUE]. If you’d like to get involved you’re welcome to join us!

The [BOOKCLUB] is back on Friday, 9 June 2017 at at Tropics Café in Elephant & Castle with The Dismeasure of Art, an interview with Paolo Virno (2009). This discussion will be chaired by Rubén Salgado Perez.

On Saturday, 10 June 2017, join us for an all day [STUDIOCRIT] at Thames-Side Studios in Woolwich to discuss the work of conceptual artist Rachel Ara and cross-disciplinary artist & curator Laura Hudson.

Our trip to Documenta 14 in late June has been postponed till September due to various setbacks. Please get in touch if you’d like to come along or help co-ordinate the trip.

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn[ART&CRITIQUE] OPEN MEETING
Alternative Art Education, Co-operation & Co-ordination
Friday, 12 May 2017, 6:30-8:30pm
Arch 213, Ponsford Street, London E9 6JU
Free, booking not required

Kinki Club, Bologna. Photo courtesy Graziella Ronchi for Spaghetti Disco - Creare Spazio Alle Memorie 1975-85, Red Gallery, London, Oct 2016, curated by Lorenzo Cibrario[SYMPOSIUM] BOOK CLUB
Virno: The Dismeasure of Art
Friday, 9 June 2017, 18:00 – 20:30
Tropics Café, Grow Elephant, New Kent Road, London  SE17 1SL
Chaired by Rubén Salgado Perez
Free, please book your place

[STUDIOCRIT]#5RachelAra[ART&CRITIQUE] STUDIO CRIT
Sharing Diverse Practices on Common Ground
Laura Hudson & Rachel Ara
Saturday, 10 June 2017, 10:30–17:30
Education Space, Thames-Side Studios, Harrington Way, London SE18 5NR
Free, please book your place

Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail)[OPPORTUNITIES & ANNOUNCEMENTS]
MAY 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Great Chartist Meeting on Kennington Common, 10 April 1848 (detail). Photo by William Kilburn.
Kinki Club, Bologna. Photo Graziella Ronchi for Spaghetti Disco, Red Gallery, London, Oct 2016.
Poster for Sharing Diverse Practices on Common Ground, 10 June 2017 (detail), by Rachel Ara.
Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail). Oil on canvas, 85 × 107 cm.

Specific Objects

The [BOOKCLUB] is back next Friday, 21 April at MayDay Rooms with Donald Judd’s controversial essay Specific Objects. This discussion will be chaired by Richard Burger. Please follow the links below for more info. If you’d like to curate the [ARTCRAWL], chair the [BOOKCLUB] or if you’d like to have a [STUDIOCRIT] please come to one of our events or get in touch via the contact page.

Claes Oldenburg [1964] Soft Light Switches. Vinyl filled with Dacron and canvas, 119.4 x 119.4 x 9.1 cm.[SYMPOSIUM] BOOK CLUB
Judd: Specific Objects
Friday, 21 April 2017, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Richard Burger
Free, please book your place

IMAGE CREDIT
Claes Oldenburg [1964] Soft Light Switches. Vinyl filled with Dacron and canvas, 119.4 x 119.4 x 9.1 cm.

Rhizome fever

Our only event this month Deleuze & Guattari: Rhizome has generated a lot of interest. The event is fully booked and the waiting-list is closed. You are always welcome to make a proposal and chair the reading group on a text of your choice. We will support you through the entire process. Please visit the event page for more information and come to one of our events, to meet people and get a sense of how it works. The structure is simple and flexible. Alternatively, you can start your own reading group!

The [BOOKCLUB] is back again on Friday, 21 April with a discussion of Specific Objects, a 1965 essay by Donald Judd. This discussion will be chaired by Richard Burger.

Sylvano Bussoti [1980] XIV piano piece for David Tudor 4. In A Thousand Plateaus: Capitalism and Schizophrenia. New York: Continuum, p.3.[SYMPOSIUM] BOOK CLUB
Deleuze & Guattari: Rhizome
Friday, 10 March 2017, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Katie Tysoe and Sophia Kosmaoglou
Free, fully booked

Claes Oldenburg [1964] Soft Light Switches. Vinyl filled with Dacron and canvas, 119.4 x 119.4 x 9.1 cm.[SYMPOSIUM] BOOK CLUB
Judd: Specific Objects
Friday, 21 April 2017, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Richard Burger
Free, please book your place

Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
Thursdays, 20 April – 22 June 2017, 18:00 – 20:30
Chelsea College of Art UAL, 16 John Islip Street, London SW1P 4JU
Tutor Sophia Kosmaoglou
Please see the course page for fees & booking info

IMAGE CREDITS
Sylvano Bussoti [1980] XIV piano piece for David Tudor 4. In A Thousand Plateaus: Capitalism & Schizophrenia. New York: Continuum, p.3.
Claes Oldenburg [1964] Soft Light Switches. Vinyl filled with Dacron and canvas, 119.4 x 119.4 x 9.1 cm.
Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.

Commodity Fetishism

We got off to a slow start this month and almost forgot to send the newsletter! Perhaps we’d rather be hibernating right now? Or more likely, we’re still coming down from the fantastic [ARTCRAWL] that Cristina Sousa Martinez put together for us in January.

Daniel Toca, Museum of Portable Sound. Hamilton's Cafe, 28 Jan 2017. [ARTCRAWL]#10: Mayfair to Fitzrovia, Curated by Cristina Sousa Martinez. Photo by John Kannenberg.
Daniel Toca, Museum of Portable Sound. Hamilton’s Cafe, 28 Jan 2017. [ARTCRAWL]#10: Mayfair to Fitzrovia, Curated by Cristina Sousa Martinez. Photo by John Kannenberg.
We’re back this Friday, 10 February to discuss commodity fetishism with Karl Marx at [SYMPOSIUM] hosted at Wimbledon Art Studios, courtesy of Dasha Loyko. Please read on for more details.
We have to wait a little longer for The Field to emerge from its restructuring process so in March we will be at MayDay Rooms, and the Rum Factory and Westminster Arts Library in the following months (TBC). If you’re interested in participating, contributing or collaborating please come to one of our events or get in touch via the contact form.

Piero Manzoni [1961] Artist's Shit (Merda d'artista). 90 tin cans, each filled with 30 grams faeces, 4.8 x 6.5 cm.[SYMPOSIUM] Marx: The Fetishism of the Commodity and its Secret
Friday, 10 February 2017, 18:00 – 20:30
Wimbledon Art Studios, 10 Riverside Rd, London SW17 0BB
Free, please book your place
In February we’re reading The Fetishism of the Commodity and its Secret, from Karl Marx’s Capital: A Critique of Political Economy (1867), the keystone of Marx’s critique of the capitalist mode of production.

Renzo Picasso [1929] Piccadilly Circus.[ARTCRAWL] CANCELLED this month
Many thanks to Cristina Sousa Martínez who curated a fantastic crawl in January. A wonderful time was had by all 15 adults and 2 toddlers who participated. Thanks to Irene Barontini and Sophia Contemporary for an interesting discussion on contemporary art in Iran, and to John Kannenberg for guiding us on an exciting visit to the The Museum of Portable Sound. You can view photos and feedback on the Facebook event page.

[ANNOUNCEMENTS & OPPORTUNITIES]ann-opps
The list of deadlines, announcements and opportunities is absolutely brimming this month.
Please check back because the list is updated regularly. If you would like to post open calls, opportunities or vacancies please use the contact form to send us the details.

IMAGE CREDITS
Piero Manzoni [1961] Artist’s Shit (Merda d’artista). 90 tin cans, each filled with 30 grams faeces, 4.8 x 6.5 cm.

Renzo Picasso [1929] Piccadilly Circus.

Aesthetics, Affect, Artcrawl

[SYMPOSIUM] #11 Badiou: Art & Philosophy with Kerry W. Purcell at The Field, 14 October 2017. Photo by Stephen Bennett.
[SYMPOSIUM] #11 Badiou: Art & Philosophy with Kerry W. Purcell at The Field, 14 October 2017. Photo by Stephen Bennett.

Disastrous and distressing in so many ways, 2016 was also an encouraging start for [ART&CRITIQUE]. The network has grown exponentially, we introduced new regular and one-off events, we participated in the Antiuniversity Now! Festival and we were interviewed on Dissident Island Radio. We have a new Event Calendar and we’ve started a new Members & Contributors section, we have a new fast server and domain (artandcritique.uk), and we’re migrating the data. To support this work we have started collecting donations at our events and although we’re far from breaking even, the project is more sustainable. In 2017 we have plans for new regular events, exhibitions, workshops, courses, collaborations, participation in festivals and an alternative art education co-op. Thanks to everyone who has contributed, participated and supported this project. If you’re interested in participating, contributing or collaborating please come to one of our events or contact us. Looking forward to see you in 2017!

Wassily Kandinsky [1923] Circles in a Circle. Oil on canvas, 98.7 x 96.6 cm.[SYMPOSIUM] O’Sullivan: The Aesthetics of Affect
Friday, 13 January 2017, 18:00 – 20:30
V22 Louise House, Dartmouth Rd, London SE23 3HZ
Free, please book your place
For our first event in 2017 we’re heading to Forest Hill to discuss Simon O’Sullivan‘s 2001 essay The Aesthetics of Affect: Thinking Art Beyond Representation with Katie Tysoe.

[ARTCRAWL]#10[ARTCRAWL] Mayfair to Fitzrovia
Saturday, 28 January 2017, 14:00–17:00

Curated by Cristina Sousa Martínez
Free, booking not required
On the last Saturday of January we will meet in Mayfair to visit Sophia Contemporary Gallery, the Museum of Portable Sound and Carroll / Fletcher. Please visit the page for a schedule & map of the route.

Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.[COURSE] Critical Theory in Contemporary Art Practice
12 Jan – 16 Mar 2017, Thursdays 6pm-8:30pm
Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU
This intensive course provides an encompassing introduction to key discourses that inform the production and interpretation of contemporary art, a supportive environment to articulate your practice, and a critical framework to exchange ideas on art production, exhibition & reception.

Announcements & Opportunities[ANNOUNCEMENTS & OPPORTUNITIES]
The list of deadlines, announcements and opportunities is absolutely brimming this month. To view the list please follow the link to visit the page. Please check back because the list is updated regularly. To post open calls, opportunities or vacancies on this list please use the contact form to send us the details.

IMAGE CREDITS
Wassily Kandinsky [1923] Circles in a Circle. Oil on canvas, 98.7 x 96.6 cm.

Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.