Tag Archives: Adam Curtis

Happy New Year!

First Alternative Education Open-Day. 1 Oct 2017, SET Space, London. Photo School of the Damned.ARTCRAWL#11 Hampstead to Finsbury Park, June 2017. Photo Cristina Sousa-Martínez.BOOKCLUB#19 Bishop Artificial Hells chaired by Renata Mindolo. Common Room, School of the Damned. Guest Projects 24 July 2017. Photo SOTD.First Alternative Education Open-Day. Oct 2017, SET Space, London. Photo Maria Christoforatou.Thanks to everybody who contributed to another venturesome year of free, autonomous, volunteer-run and self-organised alternative art education!

Thanks to everyone who came along to the discussions, crawls, workshops and meetings! Many thanks to everyone who chaired a book club, curated a crawl, facilitated a workshop or hosted an event. A special thanks to all the alternative art schools, organisations and individuals for the excellent meet-ups, exchanges and collaborations.

Many thanks to all those who coordinated events and venues, posted listings and promoted events, contributed materials and tools, attended meetings, complied minutes, carried out research, wrote proposals and summaries, made flyers and videos, did bookings and accounts, took photos, shared their feedback, set up, cleared up and did the washing up! Many thanks to everyone who donated, we’re almost breaking even thanks to your generosity. Thanks to everyone who supported the project by encouraging us, sharing, inviting friends and spreading the word.

Thanks to all who came along and contributed to a fascinating discussion on Guy Debord at the book club in December. A very special thanks to Aris Nikolaidis for chairing an excellent discussion.

In January we’re joining Neil Lamont to discuss Hypernormalisation, a 2016 film by Adam Curtis. Please book your place. We’ve just added more tickets, if they sell out please check back for cancellations.

See you next year! Let’s make it a good one x x x

Neil Lamont [2006] Apple billboard on Paris metro. Digital photograph.[SYMPOSIUM] BOOK CLUB
Adam Curtis: HyperNormalisation
Friday, 12 January 2018, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by
Neil Lamont
Suggested donation £2, booking via Eventbrite

Announcements & Opportunities[OPPORTUNITIES & ANNOUNCEMENTS]
January 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
First Alternative Education Open-Day. 1 Oct 2017, SET Space, London. Photo School of the Damned.
ARTCRAWL#11 Hampstead to Finsbury Park, June 2017. Photo Cristina Sousa-Martínez.
BOOKCLUB#19 Bishop: Artificial Hells with Renata Mindolo. Guest Projects, 24 Jul 2017. Photo School of the Damned.
First Alternative Education Open-Day. 1 Oct 2017, SET Space, London. Photo Maria Christoforatou.
Neil Lamont [2006] Apple billboard on Paris metro. Digital photograph.

Negation / Consumption

J.R. Eyerman [1952] Audience at the opening-night screening of Bwana Devil, the first full-length colour 3-D movie. Paramount Theatre, Hollywood, 26 Nov 1952.
J.R. Eyerman [1952] Audience at the opening-night screening of Bwana Devil, the first full-length colour 3-D movie. Paramount Theatre, Hollywood, 26 Nov 1952.
We had a fascinating discussion on commitment and autonomy at the November book club on Adorno’s Commitment! Many thanks to all who joined and a special thanks to Nat Pimlott for facilitating the discussion.

We look forward to your company at the next book club, coming up on Friday, 8 December. This time we’re reading Negation and Consumption in the Cultural Sphere, the eighth chapter of Guy Debord’s 1967 book The Society of the Spectacle and discussing détournement with Aris Nikolaidis. For more information, to book your place and download the text please visit the page.

In August we visited Benedict Drew‘s exhibition The Trickle-Down Syndrome at the Whitechapel Gallery with students on the Critical Theory in Contemporary Art Practice course. The exhibition was a sprawling interconnected array of objects, banners, screens, cables and digital components. What is the Trickle-Down Syndrome? How does it relate to the infamous laissez faire economic theory? What are the throbbing fleshy forms and knobbly knotted forms represented in videos, banners and roughly-hewn objects? We spent a couple of hours viewing and discussing the exhibition and everyone was asked to write a 250-500 word review that evening for a workshop the next morning. Each review is written in a uniquely different style and approach, with a different interpretation of the exhibition. We were all very impressed by this outcome so we decided to share the results.

In January we’re discussing Adam Curtis’ 2016 film HyperNormalisation with Neil Lamont. Please book your place and view the film by following the links on the page. See you there!

J.R. Eyerman [1952] Audience at the opening-night screening of Bwana Devil, the first full-length colour 3-D movie. Paramount Theatre, Hollywood, 26 Nov 1952.[SYMPOSIUM] BOOK CLUB
Debord: Negation & Consumption in Culture
Friday, 8 December 2017, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Aristotelis Nikolaidis
Suggested donation £2, booking via Eventbrite

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
11 January —15 March 2018, 6pm—8:30pm
Chelsea College of Arts UAL 16 John Islip Street London SW1P 4JU
Tutor Sophia Kosmaoglou
Booking via UAL

Neil Lamont [2006] Apple billboard on Paris metro. Digital photograph.[SYMPOSIUM] BOOK CLUB
Adam Curtis: HyperNormalisation
Friday, 12 January 2018, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by
Neil Lamont
Suggested donation £2, booking via Eventbrite

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
DECEMBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
J.R. Eyerman [1952] Audience at the opening-night of Bwana Devil. Paramount Theatre, Hollywood, 26 Nov 1952.
Patrick Mimran [2004] Billboard Project, New York. Photo by Sophia Kosmaoglou.
Neil Lamont [2006] Apple billboard on Paris metro. Digital photograph.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.