Tag Archives: alternative art education

Something for Everybody

Many thanks to everyone who came along to our events in February. We’re thrilled to welcome Eva Ruschkowski as the new Symposium book club coordinator. A very special to thanks to her for facilitating the book club on Claire Bishop’s Artificial Hells last month.

This Friday, 8 March, 7-9pm we’re discussing the chapter on Easter Island in Jared Diamond’s book Collapse: How Societies Choose to Fail or Survive. This book club will be facilitated by Tere Chad and Alter Us. Please follow the links for more info, to download the text and book your place. If you would like to facilitate the book club in future please visit the page for more info and come along to get involved.

Many thanks to everyone who came along to the launch of the Radical Pedagogy Reading Group. It was great to hear about everyone’s practice and particular interest in radical pedagogy and alternative art education. There was such a diversity of perspectives and questions, we’re very excited at the prospect of collaborating and learning together. The next session will take place on 24 March, 2-4pm at the Alternative Art School Weekender, a three-day festival and art school organised by TOMA (The Other MA) at Ugly Duck from Fri to Sun, 22-24 March. We’ve put an excellent programme together, check out the website for more details and come along.

On Saturday, 23 March, 12-4pm we’re running a collaborative DIY workshop at the festival to collect ideas on How To Start Your Own Art School in a handy and entertaining guide. Come along with your tips, ideas, stories, anecdotes, advice and full-blown manifestos! We will use all kinds of techniques, including collage, drawing, calligraphy and cut up poetry to produce A6 zine (105mm x 148mm). Materials and tools will be provided but you are welcome to bring your own. If you can’t come along to the workshop you can send your readymade page beforehand to info@artandcritique.uk.

The art crawl is back this month, join us on the last Saturday to view and discuss three artists’ films from Mayfair to Fitzrovia with Eva Ruschkowski. For more details and to book your place please follow the links.

Looking forward to see you there.

[SYMPOSIUM]#34 Jared Diamond Collapse. Flyer by Tere Chad.[SYMPOSIUM] BOOK CLUB
Jared Diamond: Collapse. How Societies Choose to Fail or Survive

Friday, 8 March 2019, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Alter Us
Suggested donation £2, booking via Eventbrite

ART&CRITIQUE [2017] Art Skool Co-op Poster.[ART&CRITIQUE] WORKSHOP
How To Start Your Own Art School
Saturday, 23 March 2019, 12-4pm
Ugly Duck, 49 Tanner St, London SE1 3PL
Alternative Art School Weekender 22-24 March
All welcome

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned(1)_thumb400_1[ART&CRITIQUE] RADICAL PEDAGOGY RESEARCH & READING GROUP
What is alternative art education?
Sunday, 24 March 2019, 2-4pm
Ugly Duck, 49 Tanner St, London SE1 3PL
Alternative Art School Weekender 22-24 March
All welcome

artcrawl#14_thumb[ART&CRITIQUE] ART CRAWL
Mayfair to Fitzrovia: Joy, Dance, Magic – Three Artist Films
Saturday, 30 March 2019, 13:45 – 17:00
Meet 13:45 at Lévy Gorvy, 22 Old Bond St, Mayfair, London W1S 4PY
Curated by Eva Ruschkowski
Free, booking via Eventbrite

Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
March 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Flyer for SYMPOSIUM#34 Jared Diamond: Collapse, by Tere Chad.
ART SKOOL CO-OP POSTER by ART&CRITIQUE.
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo by School of the Damned.
Flyer for ARTCRAWL#16 Mayfair to Fitzrovia, by Eva Ruskowski.
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

Collaboration and Pedagogy

On Friday, 8 February 2019 we’re discussing the first chapter of Claire Bishop’s book Artificial Hells with Eva Ruschkowski. This book club is fully booked, please check the Eventbrite page on the day of the event for returns.

Interested in alternative art education? Want to help start an alternative art school? Send us your contributions for the Radical Pedagogy Research & Reading Group draft syllabus by Friday, 15 February 2019, final version to be determined collectively at the launch on Friday, 22 February 2019. Please see the event page for more details.

Jeremy Deller and Mike Figgis [2001] The Battle of Orgreave.[SYMPOSIUM] BOOK CLUB
Claire Bishop: Artificial Hells
Friday, 8 February, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Eva Ruschkowski
Suggested donation £2, booking via Eventbrite

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.[ART&CRITIQUE] RADICAL PEDAGOGY RESEARCH & READING GROUP
Radical Pedagogy Reading Group Launch
Friday, 22 Feb 2019, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
Suggested donation £2, booking via Eventbrite

Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
February 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Jeremy Deller and Mike Figgis [2001] The Battle of Orgreave (detail).
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo by School of the Damned (detail).
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

The Big Other Looms

Many thanks to everyone who came along and contributed to our events in October! Thanks to all those who came to the candle-lit book club, with a very special thanks to Dee Vora and Penelope Kupfer for facilitating.

On Friday, 9 November Silvia Bombardini and Elliot Mason will be facilitating the third in a series of book clubs on Capitalist Realism by Mark Fisher, continuing with chapters 6-7 (pages 43-65) on bureaucracy, dreams and memory.

Many thanks to everyone who came along and contributed to our quarterly meeting. We have a new volunteer coordinator for the book club! The group will reconvene at 6:30pm on 11 January 2019 to set a new course and syllabus. Please add the date to your diaries and come along with your suggestions and reading proposals.

Also in January 2019 we will have the first meeting of the research and reading group on radical pedagogy, alternative art education and self-organisation. The broader aim of this group is to create a forum for the discussion of alternative art education, with the practical aim of creating a syllabus for an alternative studio programme. The first meeting will take place at 6:30pm on 25 January 2019 to determine the syllabus and structure of the reading group. Please come along and bring your proposals, suggestions, ideas and questions.

More details on these events will be published in December. The date of the next quarterly meeting has provisionally been set for 6:30pm on 22 Feb 2019 at Larc.

Please join us for a drink this Friday, 9 November after the book club to celebrate our third birthday.

[SYMPOSIUM]#31 Fisher Capitalist Realism Pt.3[SYMPOSIUM] BOOK CLUB
Mark Fisher: Capitalist Realism Pt.3
Friday, 9 November 2018, 6:30pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Silvia Bombardini & Elliot C. Mason
Suggested donation £2, booking via Eventbrite

critical theory in contemporary art practice[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
10 January – 14 March 2019, 6pm–8:30pm
Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU
Tutor Sophia Kosmaoglou
Booking via UAL

IMAGE CREDITS Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV. Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
November 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Elliot C. Mason [2018] Flyer for Symposium #31 Mark Fisher: Capitalist Realism Pt.3 (detail).

Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

Bursary

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.

Critical Theory in Contemporary Art Practice Bursary, Autumn 2018

DEADLINE Monday, 3 September 2018
COURSE RUNS @Deptford Lounge, London SE8 4RJ, 8 Oct – 3 Dec & 27 Oct 2018

UPDATE Congratulations to Renata Minoldo who is awarded the Bursary! Renata explores the physical, spiritual and emotional body through sculpture, installation and participatory workshops.

For more information please see our announcement of the Bursary Outcome. Many thanks to all the excellent candidates for taking the time to apply and to everyone who helped spread the word.

The Critical Theory in Contemporary Art Practice Bursary is a fee-waiver awarded to one applicant who will benefit most from participating in the course, regardless of previous experience, background or education.

Every application will be judged on its own terms, there are no academic or professional entry requirements. Applications are open to anyone over the age of 18. Please note that the bursary covers the course fees only and has no provision for additional financial support.

The course runs from 8 October to 3 December 2018, on Monday evenings for 9 weeks at Deptford Lounge 9 Giffin Street, London SE8 4RJ, with off-site visits on Saturday, 27 October 2018. Please download and read the course outline, it will help you decide whether this course is for you. 

For more information and to apply, please download the application form and return it by Monday, 3 September 2018. You will be notified of the outcome by 10 September 2018 and if you are selected you must accept the offer by 14 September 2018.

ART&CRITIQUE is a London-based alternative art education network dedicated to practice, research, education and critical engagement with contemporary art. We foster alternative models of art education and bring artists, curators, researchers, writers and organisations together in a series of open-access public events and courses.

ART&CRITIQUE is independent, self-organised and self-funded. We employ collaborative, co-operative and collective models of pedagogy and organisation. Our website provides information on or regular events, workshops and courses, and information on opportunities and upcoming deadlines, education, professional development, support and resources for artists, curators, students and anyone interested in art practice, critical theory and research.

We endeavour to offer affordable rates for everyone when we host our own courses. We offer one bursary award per self-hosted course and each Bursary is associated with a specific course. As a non-profit organisation we aim to cover our expenses, including venue hire, salaries, insurance, booking fees etc. Free or affordable access to a venue helps keep our fees accessible.

PREVIOUS AWARDS

Critical Theory in Contemporary Art Practice Bursary, Summer 2018

DEADLINE Friday, 23 February 2018
COURSE RUNS @Kupfer, London E9 6JU, 19 Apr – 14 June & 5 May 2018

Applications for this fees-only bursary are now closed and the results are out!

Congratulations to Lucy Webster for earning the fee-waiver award. Lucy is a multidisciplinary designer who explores themes of cultural critique, sociology, patriarchy and semiotics in a range of media including performance, film, fiction, poetry and sculpture.

For more information please visit our post on the Fee-waiver Award Outcome. Many thanks to all the excellent candidates for taking the time to apply and to everyone who helped spread the word.

UPDATE: Critical Theory in Practice (proposal for a collectively organised course)

In discussions following the recent Fee-waiver Award, the idea emerged to organise a course based on a labour exchange. The course will be organised collectively, giving the opportunity to those who cannot afford the fees to participate. It is also an opportunity for those who are interested in working together to develop an alternative model of free and sustainable education. Depending on how this goes, it will initially replace the Fee-waiver Award with a more equitable and inclusive alternative. For more information and to join the team and get involved please visit the proposal page on Openki.net.


We’re very pleased to invite applications for a fee-waiver award for the upcoming course Critical Theory in Contemporary Art Practice. The award is open to anyone over the age of 18. The fee-waiver is awarded to the applicant who will benefit most from participating in the course, regardless of previous experience, background or education. Every application will be judged on its own terms, there are no academic or professional entry requirements. Please read the course description, it will help you decide whether this course is for you.

The course runs from 19 April to 14 June 2018, on Thursday evenings for 9 weeks, including off-site visits on Saturday, 5 May 2018 at Kupfer Arch 213, Ponsford Street, London E9 6JU.

For more information and to apply, please download the application form and return it by Friday, 23 February 2018. You will be notified of the outcome on Friday, 2 March 2018 and if you are selected you must accept the offer by Friday, 9 March 2018.

We endeavour to offer affordable rates for everyone when we host our own courses. We also offer one fee-waiver award per self-hosted course so that one person can join the course for free. As a non-profit organisation we aim to cover our expenses, including venue hire, salaries, insurance, booking fees etc. Free or affordable access to a venue helps keep our fees accessible.

Heterotopias

Wade Guyton: Das New Yorker Atelier, Abridged. Sep 2017 - Feb 2018, Serpentine Gallery, London. Photo by Mandy Wong.
Wade Guyton: Das New Yorker Atelier, Abridged. Sep 2017 – Feb 2018, Serpentine Gallery, London. Photo by Mandy Wong.

We got the autumn season off to a great start last weekend! Thanks to Anca Baciu and Mandy Wong for curating, and to everyone who came along on the art crawl from Marylebone to South Kensington on Saturday. We started off with Allora & Calzadilla at the Lisson Gallery, where we wondered how the exhibition lives up to the political critique in the press release. Looking at Wade Guyton‘s work at the Serpentine, we wondered how the large-scale digital prints on stretched canvas or digital prints arranged in display cases are “pioneering painting techniques that explore the impact of digital technologies”. We more or less came to the conclusion that this could be justified by referencing the work’s engagement with formalist concerns such as flatness, surface, illusion etc. We got utterly exhausted by the V&A LGBTQ Tour, which was delivered with energy and enthusiasm. We unanimously applauded this excellent initiative, but were disappointed at the emphasis on anecdotal stories about celebrities.

First Alternative Education Open-Day. 1 October 2017, SET Space, London.
First Alternative Education Open-Day. 1 October 2017, SET, London.

Many thanks to School of the Damned for inviting is to the First Alternative Education Open Day! It was a privilege to be part of this excellent landmark event together with other alternative art schools. We covered a lot of ground in a relentless series of workshops, met new people, exchanged ideas, played games and had a great time. Many thanks to Maria Christoforatou for preparing and facilitating our workshop, we collected participant responses and we’re putting those together to share. In the meantime you can download the handout with A4 poster.

[SYMPOSIUM]#20. Flyer by Dasha Loyko.[SYMPOSIUM] BOOK CLUB
Foucault: Of Other Spaces
Sunday, 15 October 2017, 1:30pm – 4:00pm
Yurt Café, St. Katharine’s Precinct, 2 Butcher Row, London E14 8DS
Facilitated by Dasha Loyko
Free, booking via Eventbrite

Our next event is the book club on Michel Foucault’s essay Of Other Spaces, facilitated by Dasha Loyko and hosted at Unison, a former lifeboat turned project space by Anastasia Freygangto create a shifting pocket of inquiries”. We’re meeting at Yurt Café, located next to Limehouse station before we walk to the boat moored nearby. For more information, to download the text and book your place please visit the page.

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
OCTOBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
ART SKOOL CO-OP. Poster by Sophia Kosmaoglou.
[SYMPOSIUM] #20 Foucault: Of Other Spaces. Flyer by Dasha Loyko.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.

Autumn Rituals

After a packed season of events and shared activities with alternative art schools we enjoyed the summer alright! Read the bulletin on our adventures and find out about some of the places and faces of the alternative art education movement.

Now we’re looking forward to autumn rituals, open days, book fairs, art affairs, bonfires and getting together with warm cups of tea to exchange ideas, make decisions and change the future of art education.

On Saturday, 30 September we’re joining Mandy Wong and Anca Baciu for a crawl from Marylebone to South Kensington. We’re looking forward to some interesting discussions when we visit exhibitions by Allora & Calzadilla at Lisson, Wade Guyton at the Serpentine, and wrap up with the V&A LGBTQ Tour.

On Sunday, 1 October we’re getting together for an exciting array of workshops at School of the Damned’s First 100% Official Unofficial Alternative Education Open-Day! If you want to come along, get involved or help out please see below for more details.

[ARTCRAWL]#13. Flyer by Mandy Wong.[ART&CRITIQUE] ART CRAWL
Marylebone to South Kensington
Saturday, 30 September 2017, 1:45pm – 5pm
Meet 1:45pm at Lisson Gallery 27 Bell Street London NW15BY
Curated by Anca Baciu and Mandy Wong
All welcome, booking not required

FIRST 100% OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY[ART&CRITIQUE] WORKSHOP
School of the Damned’s
First Official Unofficial Alternative Education Open-Day
Sunday, 1 October 2017, 1pm-6pm
Set Space, 76-89 Alscot Road, London SE1 3AW
Booking via Eventbrite

We’re contributing to School of the Damned’s Open Day with a participatory workshop on alternative art education and we need your help! If you want to come along, get involved or help out please get in touch by responding to this email or just meet us at Set Space on 1 October at 11am. This is a 30 minute workshop, scheduled to start at 1pm.

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
SEPTEMBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
[ARTCRAWL] #13 Marylebone to South Kensington. Flyer by Mandy Wong.
Sean Roy Parker [2017] HOW TO SELF-ORGANISE.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.

Alternative Art Schools

Louise Ashcroft [2017] All My Lives. Arebyte LASER, 17 July 2017.
Louise Ashcroft [2017] All My Lives. Arebyte LASER, 17 July 2017.
July was a busy month, we had several meetings and got together with alternative art schools to ignite a discussion on cooperation and exchange ideas on the future of education in the arts.

On Friday, 14 July we got together for an open meeting and workshop on self-organisation. We shared ideas and decided to follow-up with a series of workshops to address new questions that came up, to consider the part that self-organisation plays in alternative art education, and to address our own cooperative practices.

Sneak preview of 100% Southend, Twenty One, Southend-on-Sea. Photo Cristina Sousa-Martínez.
Sneak preview of 100% Southend, Twenty One, Southend-on-Sea. Photo Cristina Sousa-Martínez.

On Monday, 17 July it was great to catch up with members of AltMFA and  to hear all about their future plans at Louise Ashcroft’s exhibition All My Lives at Arebyte Laser.

Maximum Overdrive, 20 May - 10 Sep 2017. Focal Point Gallery, Southend-on-Sea.
Maximum Overdrive, 20 May – 10 Sep 2017. Focal Point Gallery, Southend-on-Sea.

On Sunday, 23 July we headed to Southend where were greeted by Tricia North and Michaela Bannon, two members of the first cohort of The Other MA (TOMA), a 12-month alternative art education model based at Metal Art School.  Hot on their heels was Emma Edmondson, founder and coordinator of TOMA, and we set off for an absolutely epic tour from Southend-on-Sea to Leigh-on-Sea.

Our first stop was the Railway Hotel, where we were joined by Simon Cole down from London on a different route. After catching up over vegan lunch and a drink we headed towards the seafront for a sneak preview of Twenty One, a brand new venue in Southend. We caught the installation of 100% Southend, an open access exhibition for the launch of the new space. We circled back through town to Focal Point Gallery to see the group exhibition Maximum Overdrive and Big Screen Southend, an open access rolling submission public screen. Follow the link to find out how to submit your work.

Emma Edmondson at Metal Art School, Southend-on-Sea.
Emma Edmondson at Metal Art School, Southend-on-Sea.

We passed the ostentatious University of Essex student accommodation building, the monumental VAT building, the Beecroft Art Gallery and enormous developments on the way to the Old Waterworks, an independent, artist-led space. We saw the artists’ studios, darkroom, printmaking facilities and Alison Lloyd’s exhibition Act 1 – 1 Act – Walking the Gallery, Closed – Walking Birchen Hat at Winch Gallery.

Richard Baxter's studio Old Leigh Studios, Leigh-on-Sea.
Richard Baxter’s studio Old Leigh Studios, Leigh-on-Sea.

Then we headed through streets of terraced houses to West Road Tap for a drink and chat about alternative art education and coops. We set off along London Road to Chalkwell Park, home of TOMA and Metal Art School. Emma gave us a tour of the studio spaces, the exhibition and meeting spaces, the cosy living quarters and work spaces with excellent views of the Thames estuary. Visit the website for more information on Time and Space Residencies at Metal, the next deadline is on 30 September 2017.

After bidding farewell to Metal and the beautiful park we got caught in a downpour which let up as soon as we got to Chalkwell station. The sun and tide were both out by the time we arrived Leigh-on-Sea where TOMA artist Richard Baxter’s studio is located. Richard told us about the boat-building history of the studio, he showed us his work and we talked about reading groups, practice, theory and choices in alternative art education.

Still somewhat damp from the storm we piled into the Mayflower to recount the the day over calamari and beer. We eventually had to run for the train back to London because we got carried away with the view of the moody estuary. For more images please see the album on our Facebook page. Thank you TOMA for a fantastic day!

Renata Minoldo [2017] Freehand embroidery. School of the Damned's Common Room, Guest Projects, 22-29 July 2017.
Renata Minoldo [2017] Freehand embroidery. School of the Damned’s Common Room, Guest Projects, 22-29 July 2017.
Sean Roy Parker [2017] Recycled pressings, work-in-progress. School of the Damned's Common Room, Guest Projects, 22-29 July 2017.
Sean Roy Parker [2017] Recycled pressings, work-in-progress. School of the Damned’s Common Room, Guest Projects, 22-29 July 2017.
School of the Damned [2017] Common Room, a public programme of free events. Guest Projects, 22-29 July 2017.
School of the Damned [2017] Common Room, a public programme of free events. Guest Projects, 22-29 July 2017.
On Monday, 24 July we had a special edition of the book club at School of The Damned‘s (SOTD) Common Room, a week-long public programme of free educational workshops, talks and participatory events at Guest Projects, 22-29 July 2017.

SOTD is an alternative contemporary art postgraduate course based in the UK. The school runs a labour exchange economy based, offering a series of skills hour-for-hour in return for guests’ time, venues workshop provision, etc.

For the book club, Renata Minoldo prepared and chaired a discussion on Pedagogical Projects: How do you bring a classroom to life as if it were a work of art? An essay from Claire Bishop’s 2012 book Artifical Hells on pedagogical participatory art projects.

The discussion was entirely unrestrained, we meandered beyond territories relevant to the text in several interesting directions, focusing mainly on pedagogical practice and ethics. We might benefit from a return to the text or a closer look at concepts such as Foucault’s notion of parrhesia (the obligation to speak openly), Adorno’s concept of autonomy and Guattari’s ethico-aesthetic paradigm and transversality in the context of art and education.

We were excited to meet several members of the SOTD class of 2018, aka Year of the Rooster before the book club, and to talk about their work. Sean Roy Parker ran a Wildflower and Floristry walk on the previous day and was busy  reconfiguring his collection of found objects  into new ensembles. We were sorry to miss the discussion on Self-organisation, Access and Sharing on the previous day and we heard all about the fascinating workshop Thinking with Water: Pooling resources, research and ideas with Emily Wooley.

We viewed the beautiful display of work  from Renata’s Freehand Embroidery Technique workshop from the previous day. Renata combines costume design, visual art and art education in her practice, she is interested in pedagogy, communities, education, interdisciplinarity and participatory art, both as member of SOTD’s class of 2018 and in the context of her art practice. She has compiled the School of the Damned Open Library, which focuses primarily on alternative art education.

Thanks to SOTD, Renata Minoldo and everyone who joined this riveting discussion on art, participation and pedagogy. It was a pleasure to be part of this exciting programme of events and to enjoy the positive energy of this friendly, cooperative and creative environment. The fallen fruit crumble was delicious.

ALTERNATIVE (ART) EDUCATION

An overview of alternative art schools and peer-support networks. This is a ongoing research project and this page will be updated regularly. In the meantime, if you represent an alternative art school or peer-support network that is not on this list, or if you would like to amend or add to the entry, please get in touch

Continue reading ALTERNATIVE (ART) EDUCATION

Alternative art education & co-operation

On Friday, 12 May 2017 we have an [OPENMEETING] to lay the foundations of a new alternative art school, coordinate future projects and institute collective ways of working at [ART&CRITIQUE]. If you’d like to get involved you’re welcome to join us!

The [BOOKCLUB] is back on Friday, 9 June 2017 at at Tropics Café in Elephant & Castle with The Dismeasure of Art, an interview with Paolo Virno (2009). This discussion will be chaired by Rubén Salgado Perez.

On Saturday, 10 June 2017, join us for an all day [STUDIOCRIT] at Thames-Side Studios in Woolwich to discuss the work of conceptual artist Rachel Ara and cross-disciplinary artist & curator Laura Hudson.

Our trip to Documenta 14 in late June has been postponed till September due to various setbacks. Please get in touch if you’d like to come along or help co-ordinate the trip.

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn[ART&CRITIQUE] OPEN MEETING
Alternative Art Education, Co-operation & Co-ordination
Friday, 12 May 2017, 6:30-8:30pm
Arch 213, Ponsford Street, London E9 6JU
Free, booking not required

Kinki Club, Bologna. Photo courtesy Graziella Ronchi for Spaghetti Disco - Creare Spazio Alle Memorie 1975-85, Red Gallery, London, Oct 2016, curated by Lorenzo Cibrario[SYMPOSIUM] BOOK CLUB
Virno: The Dismeasure of Art
Friday, 9 June 2017, 18:00 – 20:30
Tropics Café, Grow Elephant, New Kent Road, London  SE17 1SL
Chaired by Rubén Salgado Perez
Free, please book your place

[STUDIOCRIT]#5RachelAra[ART&CRITIQUE] STUDIO CRIT
Sharing Diverse Practices on Common Ground
Laura Hudson & Rachel Ara
Saturday, 10 June 2017, 10:30–17:30
Education Space, Thames-Side Studios, Harrington Way, London SE18 5NR
Free, please book your place

Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail)[OPPORTUNITIES & ANNOUNCEMENTS]
MAY 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Great Chartist Meeting on Kennington Common, 10 April 1848 (detail). Photo by William Kilburn.
Kinki Club, Bologna. Photo Graziella Ronchi for Spaghetti Disco, Red Gallery, London, Oct 2016.
Poster for Sharing Diverse Practices on Common Ground, 10 June 2017 (detail), by Rachel Ara.
Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail). Oil on canvas, 85 × 107 cm.

MEETINGS

Quarterly Meeting

Friday, 25 January 2019, 18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East MAP
All welcome
. Buzzer left of the entrance, office on the top floor

Main items on the agenda this time include planning the first meeting of the Radical Pedagogy Research & Reading Group, discussing our participation in the Alt Art School Weekender and a new expanded format for the studio crit series, reconfigured as a group feedback or peer review session.

If you’d like to add a topic to the agenda please use the contact form to send us the details. Otherwise, please come along with your ideas and proposals.

Meeting Agenda (click to download)

  • Planning the first meeting of the Radical Pedagogy Reading & Research Group
  • Our contributions to the Alt Art School Weekender (meeting Sunday 13 Jan 2019, 5pm)
  • New expanded format for the Studio Crit, reconfigured as a group feedback or peer review session
  • Volunteers for transfer of some a&c duties and appropriate training
  • Donations/ Voluntary contributions to bridge A&C dues shortfall
  • Privacy policy
  • Constitution

Quarterly Meeting

Friday, 26 October 2018, 18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East MAP
All welcome
. Buzzer left of the entrance, office on the top floor

Come along to our next meeting if you’d like to help run the book club, decide how it works and keep it going. We will appoint a new book club coordinator and discuss scheduling, decision-making and coordination of the book club.

We will also discuss proposals for a new research and reading group on radical pedagogy, alternative art education and self-organisation, a written constitution and a new series of peer review and feedback sessions.

The aim is to bring together a community and build a collective body of knowledge and inquiry that will help us create a self-organised studio programme/course for launch in 2019.

Please come along with your ideas and proposals.

Meeting Agenda (click to download)

  • Appoint new coordinator for the Book Club
  • Ways to discuss proposals for the Book Club in a group setting
  • Radical Pedagogy Reading & Research Group
  • Discussion of a written constitution
  • Feedback/Peer Review Series

General Meeting

13 July 2018, 18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
All welcome

General meeting to discuss scheduling, decision-making and coordination of the book club. If you’d like to get involved and help run the book club please come along.


General Meeting

Friday, 8 September 2017, 7-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
All welcome

MEETING AGENDA

Self-Organisation Research Share our thoughts on what was discussed at the Larc usergroup meeting:

• What did we learn?
• How has this changed our perception, ideas and expectation of the research project?
• How has it informed our ideas around the way we are organised and constituted at A&C?
• How do we want to proceed with the research project?

Some of the directions we could take as discussed at the meeting:

• Do we want to carry out the research formally or informally (and what is the difference)?
• Do we want to start by addressing our own experiences with self-organsation?
• Do we want to have a workshop on data protection with Radical Librarians Collective?
• Do we want to have a workshop on interviewing techniques and to draw up the questions that we want to ask?
• How do we prioritise these?

Symposium Discussion List / Loomio The symposium discussion list, as its name suggests, was originally intended for discussions and coordination of the symposium book club but we started using it to coordinate the other events and A&C as whole. It’s time to have a discussion about sorting this out because the list has grown mainly from people coming to the book club and it would be good to restore it to its original function. We’ve been abusing the list for a while and we need to address this by shifting the coordination of A&C to a different channel. Shall we create a new mailing list? Or should we shift coordination to Loomio? Loomio functions like an email list anyway if people turn on notifications, and everyone can post a comment simply by responding to an email. An additional list will be a nuisance because we’re all struggling with too many emails and we often have to notify people that there are open threads or votes on Loomio via email, when Loomio has the built-in function anyway. It’s important to be open and transparent in our communications and practices, but perhaps we need to create a separate list for regular contributors or those who will participate in the research project so that we can share sensitive information and coordinate the project? Or could we just use Loomio and create another list for this purpose?

MayDay Rooms Research Discuss how we will plan our archival research on self-organisation, alternative art education and radical pedagogy at MDR.

Alt Art School Research Discuss how we will carry out our research on alternative art schools.

Studio Programme Start drawing up some outlines for this and to locate which areas we need to look into and this will further inform our research.

Openki Workshop Are we interested in taking this forward?

Skill-Sharing Workshop We decided to have a skill-sharing workshop, the relevant Loomio thread has not generated a discussion so it would be great to discuss this in the meeting.

Membership At the last meeting we discussed the idea that people do not appreciate or value what is free and we reconsidered membership. This is something we should discuss in tandem with our collective model. Would everyone pay membership fees? Or just those who do not undertake any jobs? What happens if someone take a break for a few months? How much would we charge? How would we collect the fees? How would we distribute the income among those who carry out the labour?

Decision-Making We need to review our decision-making policy and update it.

Event Structure, Preparation and Communication Perhaps we need to think about the way we prepare and follow up the events, some areas that might need attention include the following:

  • Update the event infosheets to stress the collaborative preparation process. Perhaps the coordinator of each event should be responsible for updating the infosheet as they deem necessary through experience?
  • Establish a postmortem between each event coordinator and the chairperson/curator/artist from the previous event to discuss what went well and what did not and update our procedures accordingly.
  • Add a section to the website about our collaborative learning methods and our approach more broadly. The research that we’ve started is intended as preliminary work for this (both in terms of sharing ideas and in terms of learning new ideas). Perhaps we need to approach the research and devise our research questions with this practical goal in mind, at least in the short term?

Self-organisation

14 July 2017, 18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
All welcome, no need to book

Buzzer located to the left of the entrance, we’re meeting in the office on the top floor

[ART&CRITIQUE] Open Meeting. Arch 213 Homerton, 12 May 2017. Photo by Penelope Kupfer.
[ART&CRITIQUE] Open Meeting. Arch 213 Homerton, 12 May 2017. Photo by Penelope Kupfer.
There are two main agenda items for this meeting, both will focus on self-organsiation and our intention to develop collaborative, cooperative and collective practices as part of our pedagogical remit.

In the first part of the meeting we will discuss our proposed research at LARC with a view to submit a proposal in early August 2017. The research is intended to help us learn from the organisational practices of the usergroups at LARC as well as the organisation as whole. This is also an opportunity to discuss our broader research project on alternative art education, radical pedagogy and self-organisation. For an overview of this project please see our recent unsuccessful research proposal for a residency at MayDay Rooms. We will outline our research objectives, identify actions, distribute roles and compile a schedule.

In the second part of the meeting we will discuss our ongoing plan to distribute and rotate the work that sustains [ART&CRITIQUE]. We will discuss the jobs, guides and handover procedures. After a one-month handover process and one month to practice our jobs do we feel that have learned anything? Have we had enough experience to handover the job to someone else? Have we identified problems or ways of making improvements? Should we extend the rota period to 4 months with 1-month handover at either end? Do we need more training? What skills do we need training in? Should we organise a skill-sharing workshop?


Alternative Art Education & Co-operation

Friday, 12 May 2017, 18:30 – 20:30
Kupfer, Arch 213, Ponsford Street, London E9 6JU
Overground: Hackney Central, Homerton
Free, booking not required

On Friday, 12 May 2017 we’re having an open meeting to lay the foundations of a new alternative art school, co-ordinate future projects and institute co-operative ways of working. If you’d like to get involved please join us! See below for the meeting agenda and if you’d like to add agenda items to the list please use the contact form to email them to us by 10 May 2017.

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn.
Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn.

MEETING AGENDA

1. Report on [ART&CRITIQUE] participation, accounts and current productive tasks.

2. Distribution of tasks that keep [ART&CRITIQUE] running as a collective project. Co-ordination of roles and hand-overs. If there are not enough people to undertake the tasks we will consider adopting a different structure (e.g. yearly membership) so that we can pay people to undertake the tasks.

3. Future [ART&CRITIQUE] projects: book club, art crawl, studio crit and new projects or one-off events and workshops.

4. Discuss plans for an alternative art school running a yearly programme beginning in September 2018. How would this work and how would the participants be recruited? Should we have an application form/procedure or should participants be invited? An open call is more transparent but then we have the problem of selection criteria and having to turn people down. If we invite people we can all invite one person, which is more egalitarian, but then the project risks becoming a clique. In terms of structure, the programme would be a peer support group, meeting 1-2 times per week. To begin, we could incorporate the three irregular [ART&CRITIQUE] events (exactly as they currently run, open to the public etc.) and add seminars, lectures and/or workshops with guest tutors/practitioners, organised by and for participants on the programme, who will be responsible for developing the format of the programme and running it over time. We need to discuss funding (to pay guest tutors and cover  expenses) and find a regular reliable and free venue if The Field doesn’t open again. Come with ideas for a name!

5. Plan to secure an empty building by negotiating a lease with the owners in exchange for maintaining the building. This would offer us a space from which to run all these projects, have exhibitions, run a cafe, workshops, courses, screenings and all manner of events for all ages to make an income to pay people and cover our expenses.

6. Start a workers’ co-op and create a transparent co-operative structure for all the above and any other projects that may develop over time, including an alternative art education network website to host organisations that offer alternative art education in the UK.