Tag Archives: Bursary

Bursary Outcome Announced

Many thanks to those who applied for the Critical Theory in Contemporary Art Practice Bursary! We received a high volume of inspiring applications from candidates who practice across a range of media and disciplines including sculpture, installation, painting, writing, design, sound, performance,  social engagement, activism and curating.

It was a very close and difficult decision, the selection was based on criteria that prioritised the needs of each candidate. The quality of the work and the level of commitment throughout was impressive and inspiring, as were the many crossovers between the projects. It would be a privilege to have all the candidates on the course.

The criteria for selection included a correspondence between the candidates’ research questions and the course topics, a demonstrable need for a supportive pedagogical environment, an unconventional and experimental practice motivated by a spirit of enquiry, an active interest in pedagogy and the politics of education and a motivation to collaborate with others.

Renata Minoldo Bursary Recipient

Congratulations to Renata Minoldo who is the Bursary recipient, we look forward to welcome her on the course. Renata explores the physical, spiritual and emotional body through sculpture, installation and participatory workshops, in her own words “My practice flows from the haptic to the ethereal, subtle experience”. She aims to bring emotional states into a physical dimension by creating objects and environments, using her practice as a tool to develop and research ideas of sensuality, self knowledge and healing. Renata self-consciously questions her practice while exploring the possibilities of an affective and embodied form of critical practice. She sees herself as a conduit that is activated in the process of making physical objects and organising collaborative experiences that help her understand her practice. She is a member of School of the Damned Class 2018 and facilitates workshops for adults and children researching alternative learning and teaching methods involving interdisciplinary practices and non hierarchical education. renataminoldo.com

Renata Minoldo and Natasha Cox [2018] Being in the Body. Environmental Installation and experimental workshop. Event commissioned by Guest Projects on their 10th year anniversary. Photos by Ania Mokrzycka.
Renata Minoldo and Natasha Cox [2018] Being in the Body. Environmental Installation and experimental workshop. Event commissioned by Guest Projects on their 10th year anniversary. Photos by Ania Mokrzycka.
Miki Holloway First Runner-Up

Miki Holloway has a practice that produces social forms. This includes a critique group, improvised narrative workshops, multi-media dialogues, performance and creating new social configurations. He experiments with context and setting to explore and re-negotiate the potential of institutions and social contexts to affect how meaning is produced.  He interrogates the role of authorship on social structures and the pragmatics of participation by blurring the boundaries between authors, collaborators and participants. Miki’s practice researches the artists’ role within capitalism, the potential for atomized spectators to become connected producers and the potential for art to have a political emancipatory effect. Miki is an associate at Set Studios’ in Bermondsey, he has contributed to Grizedale Arts programme of community-orientated work and he runs community art workshops on mental health. He has exhibited in group exhibitions, published zines and written articles on the Politics of Participation, Psychosomatic Muscle Tension, Ontology and Toxic Masculinity. Miki is also a political activist with experience and training in horizontal organizing and direct action. mikiholloway.com

Miki Holloway [2018] B.o.a.t, number 9, Set Studios 07/08/2018. Illustration by Rachel Sale.
Miki Holloway [2018] B.o.a.t, number 9, Set Studios 07/08/2018. Illustration by Rachel Sale.
Charlie Pritchard Second Runner-Up

Charlie Pritchard’s art practice focuses on immaterial or invisible forces and investigates how mediums such as performance, video, sound and text can channel imaginative frameworks and activate objects and places. He is interested in topics such as the relationship between matter and thinking, the paranormal, collective unconscious, perennial philosophy and how contemporary scientific theory collapses the distinctions between subject and object. Charlie’s research based practice relies on a community of peers. He studied at Arts University Bournemouth and engaged in theoretical research by attending symposia. He participated in the Many Voices residency at Wysing Arts Centre and delivered a presentation on Steven Connor’s Dumbstruck: a cultural history of Ventriloquism and the disembodied voice. He is a member of The Noematic Collective, a sound collective that responds to the hierarchy of vision in culture and education. charliepritchard.co.uk

Charlie Pritchard [2018] Through a “Medium” of Aether. Interclamp, Pioneer plasmas, Sun lounger, Polystyrene Balls, 25 mins.
Charlie Pritchard [2018] Through a “Medium” of Aether. Interclamp, Pioneer plasmas, Sun lounger, Polystyrene Balls, 25 mins.

Why are flowers beautiful?

Bees in the Old Tidemill Wildlife Garden. Photo Sophia Kosmaoglou.
Bees in the Old Tidemill Wildlife Garden, Deptford.
Jamaican Independence Day, Old Tidemill Wildlife Garden Aug 2018. Photo Sophia Kosmaoglou.
Jamaican Independence Day, Old Tidemill Wildlife Garden, Aug 2018.
Peruvian Benefit Party, Old Tidemill Wildlife Garden May 2018. Photo Sophia Kosmaoglou.
Peruvian Benefit Party, Old Tidemill Wildlife Garden, May 2018.

Hope you had a chance to enjoy the sun and recharge your batteries over the summer! We have an exciting season of events ahead with many opportunities to get involved and help build a self-organised alternative art school.

Today Monday, 3 September is the last chance to apply for the Critical Theory in Contemporary Art Practice Bursary for a free place on the course. Please download the application form and return it by midnight tonight.

Our first event of the season is the book club on 14 September with a discussion on David Deutsch’s video lecture Why are flowers beautiful? facilitated by John Fortnum.

Join us on Saturday, 29 September for the second installment of the Deptford Art & Gentrification Walk. Meet at 1pm inside Deptford Railway Station for an afternoon of discussions on the relationship between art and gentrification.

On 26 October 2018 we have a general meeting to discuss the future of the book club and nominate a new coordinator. Please come along if you’d like to help run the book club, decide how it works and keep it going. We will also be discussing a new research and reading group on radical pedagogy, alternative art education and self-organisation leading to the launch of a self-organised studio programme in 2019.

If you were subscribed to the symposium discussion list and have been removed due to the new GBPR policies please get in touch to rejoin the list.

We’re helping to raise money for a legal challenge of Lewisham Council’s decision to demolish the community-run Old Tidemill Wildlife Garden and the council homes of Reginald House as part of a regeneration scheme of the Old Tidemill site in Deptford. Please donate so we can Save Tidemill, Save Reginald! or come along and get involved in the campaign.

[ART&CRITIQUE] BURSARY
Critical Theory in Contemporary Art Practice Bursary

DEADLINE Monday, 3 September 2018
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou
Please click the link for more info

Robert Mapplethorpe, Sepia Orchid_thumb[SYMPOSIUM] BOOK CLUB
Deutsch: Why are flowers beautiful?
Friday, 14 September 2018, 18:30–21:00
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by John Fortnum
Suggested donation £2, booking via Eventbrite

[ARTCRAWL] #15 Deptford[ART&CRITIQUE] ART CRAWL
Deptford Art & Gentrification Walk Pt. 2
Saturday, 29 September 2018, 13:00 -18:00
Meet 1pm inside Deptford Railway Station, London SE8 3NU
Curated by Sophia Kosmaoglou and Paul Clayton
All welcome, booking not required

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou. Critical Theory in Contemporary Art Practice [ART&CRITIQUE] COURSE[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
8 Oct–3 Dec 2018, 6:30pm-9pm & 27 Oct 2:30pm-5pm
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou
Booking via Eventbrite

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn.[ART&CRITIQUE] MEETING
General Meeting
26 October 2018, 18:30-20:30
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
All welcome

IMAGE CREDITS Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV. Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
September 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Old Tidemill Wildlife Garden, Deptford. Photos by Sophia Kosmaoglou.
Patrick Mimran [2004] Billboard Project, New York. Photo by Sophia Kosmaoglou.
Robert Mapplethorpe [1988] Sepia Orchid from the series Flowers. Toned photogravure, 50 x 51 cm.
Stanford’s Library Map of London & its Suburbs 1864, showing proposed Metropolitan Railways (detail).
Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn.
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

School of Civic Action

UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, 20 July 2018. Photo Darshana Vora.
UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, 20 July 2018. Photo Darshana Vora.

Many thanks to Torange Khonsari from Public Works and Tim Flitcroft from Commons Rising for inviting us to the first UK Commons Assembly, at the School of Civic Action. We had an excellent time and look forward to the next meeting.

We’re taking a break in August but we’re back on 14 September with a discussion on David Deutsch’s video lecture Why are flowers beautiful? facilitated by John Fortnum.

Join us for the second installment of the Deptford Art & Gentrification Walk on Saturday, 29 September. Meet us at 1pm inside Deptford Railway Station for an afternoon of discussions on the relationship between art and gentrification.

The Critical Theory in Contemporary Art Practice Bursary is a fee-waiver awarded to one applicant who will benefit most from participating in the course, regardless of previous experience, background or education. To apply please download the application form and return it by Monday, 3 September 2018.

Have a great summer!

UPCOMING EVENTS

[ART&CRITIQUE] BURSARY
Critical Theory in Contemporary Art Practice

DEADLINE Monday, 3 September 2018
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou
Please click the link for more info

Robert Mapplethorpe, Sepia Orchid_thumb[SYMPOSIUM] BOOK CLUB
Deutsch: Why are flowers beautiful?
Friday, 14 September 2018, 18:30–21:00
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by John Fortnum
Suggested donation £2, booking via Eventbrite

[ARTCRAWL] #15 Deptford[ART&CRITIQUE] ART CRAWL
Deptford Art & Gentrification Walk Pt. 2
Saturday, 29 September 2018, 13:00 -18:00
Meet 1pm inside Deptford Railway Station, London SE8 3NU
Curated by Sophia Kosmaoglou and Paul Clayton
All welcome, booking not required

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou. Critical Theory in Contemporary Art Practice [ART&CRITIQUE] COURSE[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
8 Oct–3 Dec 2018, 6:30pm-9pm & 27 Oct 2:30pm-5pm
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou
Booking via Eventbrite

IMAGE CREDITS Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV. Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
August 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, Jul 2018. Photo Darshana Vora.
Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.
Robert Mapplethorpe [1988] Sepia Orchid from the series Flowers. Toned photogravure, 50 x 51 cm.
Stanford’s Library Map of London & its Suburbs 1864, showing proposed Metropolitan Railways (detail).
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.