Tag Archives: critical theory in contemporary art practice

Bursary Outcome Announced

Many thanks to those who applied for the Critical Theory in Contemporary Art Practice Bursary! We received a high volume of inspiring applications from candidates who practice across a range of media and disciplines including sculpture, installation, painting, writing, design, sound, performance,  social engagement, activism and curating.

It was a very close and difficult decision, the selection was based on criteria that prioritised the needs of each candidate. The quality of the work and the level of commitment throughout was impressive and inspiring, as were the many crossovers between the projects. It would be a privilege to have all the candidates on the course.

The criteria for selection included a correspondence between the candidates’ research questions and the course topics, a demonstrable need for a supportive pedagogical environment, an unconventional and experimental practice motivated by a spirit of enquiry, an active interest in pedagogy and the politics of education and a motivation to collaborate with others.

Renata Minoldo Bursary Recipient

Congratulations to Renata Minoldo who is the Bursary recipient, we look forward to welcome her on the course. Renata explores the physical, spiritual and emotional body through sculpture, installation and participatory workshops, in her own words “My practice flows from the haptic to the ethereal, subtle experience”. She aims to bring emotional states into a physical dimension by creating objects and environments, using her practice as a tool to develop and research ideas of sensuality, self knowledge and healing. Renata self-consciously questions her practice while exploring the possibilities of an affective and embodied form of critical practice. She sees herself as a conduit that is activated in the process of making physical objects and organising collaborative experiences that help her understand her practice. She is a member of School of the Damned Class 2018 and facilitates workshops for adults and children researching alternative learning and teaching methods involving interdisciplinary practices and non hierarchical education. renataminoldo.com

Renata Minoldo and Natasha Cox [2018] Being in the Body. Environmental Installation and experimental workshop. Event commissioned by Guest Projects on their 10th year anniversary. Photos by Ania Mokrzycka.
Renata Minoldo and Natasha Cox [2018] Being in the Body. Environmental Installation and experimental workshop. Event commissioned by Guest Projects on their 10th year anniversary. Photos by Ania Mokrzycka.
Miki Holloway First Runner-Up

Miki Holloway has a practice that produces social forms. This includes a critique group, improvised narrative workshops, multi-media dialogues, performance and creating new social configurations. He experiments with context and setting to explore and re-negotiate the potential of institutions and social contexts to affect how meaning is produced.  He interrogates the role of authorship on social structures and the pragmatics of participation by blurring the boundaries between authors, collaborators and participants. Miki’s practice researches the artists’ role within capitalism, the potential for atomized spectators to become connected producers and the potential for art to have a political emancipatory effect. Miki is an associate at Set Studios’ in Bermondsey, he has contributed to Grizedale Arts programme of community-orientated work and he runs community art workshops on mental health. He has exhibited in group exhibitions, published zines and written articles on the Politics of Participation, Psychosomatic Muscle Tension, Ontology and Toxic Masculinity. Miki is also a political activist with experience and training in horizontal organizing and direct action. mikiholloway.com

Miki Holloway [2018] B.o.a.t, number 9, Set Studios 07/08/2018. Illustration by Rachel Sale.
Miki Holloway [2018] B.o.a.t, number 9, Set Studios 07/08/2018. Illustration by Rachel Sale.
Charlie Pritchard Second Runner-Up

Charlie Pritchard’s art practice focuses on immaterial or invisible forces and investigates how mediums such as performance, video, sound and text can channel imaginative frameworks and activate objects and places. He is interested in topics such as the relationship between matter and thinking, the paranormal, collective unconscious, perennial philosophy and how contemporary scientific theory collapses the distinctions between subject and object. Charlie’s research based practice relies on a community of peers. He studied at Arts University Bournemouth and engaged in theoretical research by attending symposia. He participated in the Many Voices residency at Wysing Arts Centre and delivered a presentation on Steven Connor’s Dumbstruck: a cultural history of Ventriloquism and the disembodied voice. He is a member of The Noematic Collective, a sound collective that responds to the hierarchy of vision in culture and education. charliepritchard.co.uk

Charlie Pritchard [2018] Through a “Medium” of Aether. Interclamp, Pioneer plasmas, Sun lounger, Polystyrene Balls, 25 mins.
Charlie Pritchard [2018] Through a “Medium” of Aether. Interclamp, Pioneer plasmas, Sun lounger, Polystyrene Balls, 25 mins.

School of Civic Action

UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, 20 July 2018. Photo Darshana Vora.
UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, 20 July 2018. Photo Darshana Vora.

Many thanks to Torange Khonsari from Public Works and Tim Flitcroft from Commons Rising for inviting us to the first UK Commons Assembly, at the School of Civic Action. We had an excellent time and look forward to the next meeting.

We’re taking a break in August but we’re back on 14 September with a discussion on David Deutsch’s video lecture Why are flowers beautiful? facilitated by John Fortnum.

Join us for the second installment of the Deptford Art & Gentrification Walk on Saturday, 29 September. Meet us at 1pm inside Deptford Railway Station for an afternoon of discussions on the relationship between art and gentrification.

The Critical Theory in Contemporary Art Practice Bursary is a fee-waiver awarded to one applicant who will benefit most from participating in the course, regardless of previous experience, background or education. To apply please download the application form and return it by Monday, 3 September 2018.

Have a great summer!

UPCOMING EVENTS

[ART&CRITIQUE] BURSARY
Critical Theory in Contemporary Art Practice

DEADLINE Monday, 3 September 2018
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou
Please click the link for more info

Robert Mapplethorpe, Sepia Orchid_thumb[SYMPOSIUM] BOOK CLUB
Deutsch: Why are flowers beautiful?
Friday, 14 September 2018, 18:30–21:00
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by John Fortnum
Suggested donation £2, booking via Eventbrite

[ARTCRAWL] #15 Deptford[ART&CRITIQUE] ART CRAWL
Deptford Art & Gentrification Walk Pt. 2
Saturday, 29 September 2018, 13:00 -18:00
Meet 1pm inside Deptford Railway Station, London SE8 3NU
Curated by Sophia Kosmaoglou and Paul Clayton
All welcome, booking not required

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou. Critical Theory in Contemporary Art Practice [ART&CRITIQUE] COURSE[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
8 Oct–3 Dec 2018, 6:30pm-9pm & 27 Oct 2:30pm-5pm
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou
Booking via Eventbrite

IMAGE CREDITS Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV. Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
August 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, Jul 2018. Photo Darshana Vora.
Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.
Robert Mapplethorpe [1988] Sepia Orchid from the series Flowers. Toned photogravure, 50 x 51 cm.
Stanford’s Library Map of London & its Suburbs 1864, showing proposed Metropolitan Railways (detail).
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

Structure & Deconstruction

Nicolas Copernicus [1543] Heliocentrism. De revolutionibus Orbium coelestium, libri IV (Revolutions of the heavenly orbs). Nuremberg.
Nicolas Copernicus [1543] Heliocentrism. De revolutionibus Orbium coelestium, libri IV (Revolutions of the heavenly orbs). Nuremberg.
Thanks to everyone who came along to the first in the series of book clubs on Mark Fisher’s Capitalist Realism. It was a real pleasure to meet so many people with diverse perspectives and common interests. We will continue with chapters 4 & 5 in May 2018.

In April we’re discussing Structure, sign and play in the discourse of the human sciences, Jacques Derrida’s inaugural paper on deconstruction presented at Johns Hopkins University in 1966. If you would like to propose a text and facilitate the book club please visit the website for more info and to download the infosheet.

Our first independent Critical Theory in Contemporary Art Practice course is fully booked but we’re organising another edition of the course on the basis of a labour exchange, giving those who cannot afford the fees the opportunity to participate. This will also be a great opportunity for those who are interested in working together to develop an alternative model of free and sustainable education. For more information, to join the team and get involved please visit the proposal page on Openki.net.

Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV (Revolutions of the heavenly orbs). Nuremberg.[SYMPOSIUM] BOOK CLUB
Derrida: Structure, Sign and Play
Friday, 13 April 2018, 6:30pm–9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Sophia Kosmaoglou
Suggested donation £2, booking via Eventbrite

IMAGE CREDITS Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV. Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
April 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV.
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

Capitalist Realism

Gerhard Richter [1963] Party. Oil, nails, cord on canvas and newspaper, 150 x 182cm.
Gerhard Richter [1963] Party. Oil, nails, cord on canvas and newspaper, 150 x 182cm.
Wolf Vostell [1969] B 52 Lipstick Bomber. Serigraph and lipsticks behind glass in wooden box, 88 × 119.5 cm.
Wolf Vostell [1969] B 52 Lipstick Bomber. Serigraph and lipsticks behind glass in wooden box, 88 × 119.5 cm.
Many thanks to everyone who came along and contributed to an excellent discussion on Representation & Critique. A very special thanks to Aris Nikolaidis for facilitating! We grappled with definitions of modernism, postmodernism, anarchism, anarchist modernism and postmodern anarchism, and we tried to unpack their inter-relationships through Jesse Cohn’s vantage point. The discussion was inconclusive due to the sheer expanse of the material and deserves a follow-up.

In March we’re back at The Field for the first in a series of book clubs on Capitalist Realism by Mark Fisher, starting with chapters 1-3 (pages 1-20). The book is 81 pages long and we can read it in 3-4 installments, something to decide at the end of the first session. The download link will take you to a PDF of the entire book. We will continue the series with chapters 4 & 5 on 11 May 2018, unless another proposal takes precedence. If you would like to facilitate any of the sessions please get in touch.

The Field New Cross reopens October 2017. Image courtesy of The Field.
The Field New Cross reopens October 2017. Image courtesy of The Field.

The Field reopened in October 2017 with a new cooperative structure. We’ve been invited to join the coop and we will have a meeting to discuss membership after the book club in March. If you are a member of A&C and would like to become member of the Field please come along or get in touch via email.

Many thanks to those who applied for the Fee-Waiver Award! If you haven’t heard from us yet please check your spam bin. It was a very close outcome based on an objective set of criteria which prioritised the needs of the individual candidates. Thanks to everyone who helped spread the word. We will announce the successful applicant by 9 March 2018, once they have accepted the offer and if they are happy for us to do so.

Gerhard Richter [1963] Party. Oil, nails, cord on canvas and newspaper, 150 x 182 cm.[SYMPOSIUM] BOOK CLUB
Fisher: Capitalist Realism
Friday, 9 March 2018, 6:30pm-9pm
The Field 385 Queen’s Rd London SE14 5HD
Facilitated by Sophia Kosmaoglou
Suggested donation £2, booking via Eventbrite

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice

19 April – 14 June 2018, 6:30-9pm + 5 May 2018, 2:30-5pm
Kupfer Arch 213, Ponsford Street, London E9 6JU
Tutor Sophia Kosmaoglou
£250 via Eventbrite or apply for the Fee-waiver Award

Announcements & Opportunities[OPPORTUNITIES & ANNOUNCEMENTS]
March 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

The Crisis of Critique

George Orwell (1956). 1984. Harmondsworth: Penguin, p. 171.
George Orwell (1956). 1984. Harmondsworth: Penguin, p. 171.

Thanks to everyone who came along and contributed to an excellent discussion on Adam Curtis’ film Hypernormalisation. A very special thanks to Neil Lamont for facilitating! We watched a 13 minute excerpt of the film and the discussion revolved around consciousness and complicity. Neil handed out copies from George Orwell’s 1984 and read the passage on doublethink, comparing it to the concept of hypernormalisation, which Curtis borrows from Alexei Yurchak, a term he coined to describe the culture of resignation to the simulacrum of normality in 1980s Soviet Russia.

In February we’re joining Aris Nikolaidis to discuss The Fate of Representation, the Fate of Critique, chapter six in Jesse Cohn’s 2006 book Anarchism and the Crisis of Representation: Hermeneutics, Aesthetics, Politics. What would a radical anti-representational aesthetic look like today, beyond the binary opposition between autonomy and popular culture?

If you ever wanted to join the Critical Theory in Contemporary Art Practice course this is the time! We’re running the first independent [ART&CRITIQUE] course in April 2018 and we’re inviting submissions for a Fee-waiver Award. To apply please download the application form and return it by 5pm on Friday, 23 February 2018. For more information please follow the links below.

Enrico Baj [1972] The Funeral of the Anarchist Pinelli. Textured offset colour print, 75 x 68 cm. Edition 200.[SYMPOSIUM] BOOK CLUB
Cohn: Representation and Critique
Friday, 9 February 2018, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Aris Nikolaidis
Suggested donation £2, booking via Eventbrite

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice

19 April – 14 June 2018, 6:30-9pm + 5 May 2018, 2:30-5pm
Kupfer Arch 213, Ponsford Street, London E9 6JU
Tutor Sophia Kosmaoglou
£250 via Eventbrite or apply for the Fee-waiver Award

Announcements & Opportunities[OPPORTUNITIES & ANNOUNCEMENTS]
February 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
George Orwell (1956). 1984. Harmondsworth: Penguin Books, p. 171.
Enrico Baj [1972] The Funeral of the Anarchist Pinelli. Textured offset colour print, 75 x 68 cm. Edition 200.

Open Call: Fee-waiver Award

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.

Critical Theory in Contemporary Art Practice Fee-waiver Award

Deadline Friday, 23 February 2018 at 5pm

We’re very pleased to invite applications for a fee-waiver award for the upcoming course Critical Theory in Contemporary Art Practice. The award is open to anyone over the age of 18. The fee-waiver is awarded to the applicant who will benefit most from participating in the course, regardless of previous experience, background or education. Every application will be judged on its own terms, there are no academic or professional entry requirements. Please read the course description, it will help you decide whether this course is for you.

The course runs from 19 April to 14 June 2018, on Thursday evenings for 9 weeks, including off-site visits on Saturday, 5 May 2018 at Kupfer, Arch 213, Ponsford Street, London E9 6JU.

For more information and to apply, please download the application form and return it by 5pm on Friday, 23 February 2018. You will be notified of the outcome on Friday, 2 March 2018 and if you are selected you must accept the offer by Friday, 9 March 2018.

We endeavour to offer affordable rates for everyone when we host our own courses. We also offer one fee-waiver award per self-hosted course so that one person can join the course for free. As a non-profit organisation we aim to cover our expenses, including venue hire, tutors’ salaries, insurance, booking fees etc. Free or affordable access to a venue helps keep our fees down.

Bursary

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou.

Critical Theory in Contemporary Art Practice Bursary, Autumn 2018

DEADLINE Monday, 3 September 2018
COURSE RUNS @Deptford Lounge, London SE8 4RJ, 8 Oct – 3 Dec & 27 Oct 2018

UPDATE Congratulations to Renata Minoldo who is awarded the Bursary! Renata explores the physical, spiritual and emotional body through sculpture, installation and participatory workshops.

For more information please see our announcement of the Bursary Outcome. Many thanks to all the excellent candidates for taking the time to apply and to everyone who helped spread the word.

The Critical Theory in Contemporary Art Practice Bursary is a fee-waiver awarded to one applicant who will benefit most from participating in the course, regardless of previous experience, background or education.

Every application will be judged on its own terms, there are no academic or professional entry requirements. Applications are open to anyone over the age of 18. Please note that the bursary covers the course fees only and has no provision for additional financial support.

The course runs from 8 October to 3 December 2018, on Monday evenings for 9 weeks at Deptford Lounge 9 Giffin Street, London SE8 4RJ, with off-site visits on Saturday, 27 October 2018. Please download and read the course outline, it will help you decide whether this course is for you. 

For more information and to apply, please download the application form and return it by Monday, 3 September 2018. You will be notified of the outcome by 10 September 2018 and if you are selected you must accept the offer by 14 September 2018.

ART&CRITIQUE is a London-based alternative art education network dedicated to practice, research, education and critical engagement with contemporary art. We foster alternative models of art education and bring artists, curators, researchers, writers and organisations together in a series of open-access public events and courses.

ART&CRITIQUE is independent, self-organised and self-funded. We employ collaborative, co-operative and collective models of pedagogy and organisation. Our website provides information on or regular events, workshops and courses, and information on opportunities and upcoming deadlines, education, professional development, support and resources for artists, curators, students and anyone interested in art practice, critical theory and research.

We endeavour to offer affordable rates for everyone when we host our own courses. We offer one bursary award per self-hosted course and each Bursary is associated with a specific course. As a non-profit organisation we aim to cover our expenses, including venue hire, salaries, insurance, booking fees etc. Free or affordable access to a venue helps keep our fees accessible.

PREVIOUS AWARDS

Critical Theory in Contemporary Art Practice Bursary, Summer 2018

DEADLINE Friday, 23 February 2018
COURSE RUNS @Kupfer, London E9 6JU, 19 Apr – 14 June & 5 May 2018

Applications for this fees-only bursary are now closed and the results are out!

Congratulations to Lucy Webster for earning the fee-waiver award. Lucy is a multidisciplinary designer who explores themes of cultural critique, sociology, patriarchy and semiotics in a range of media including performance, film, fiction, poetry and sculpture.

For more information please visit our post on the Fee-waiver Award Outcome. Many thanks to all the excellent candidates for taking the time to apply and to everyone who helped spread the word.

UPDATE: Critical Theory in Practice (proposal for a collectively organised course)

In discussions following the recent Fee-waiver Award, the idea emerged to organise a course based on a labour exchange. The course will be organised collectively, giving the opportunity to those who cannot afford the fees to participate. It is also an opportunity for those who are interested in working together to develop an alternative model of free and sustainable education. Depending on how this goes, it will initially replace the Fee-waiver Award with a more equitable and inclusive alternative. For more information and to join the team and get involved please visit the proposal page on Openki.net.


We’re very pleased to invite applications for a fee-waiver award for the upcoming course Critical Theory in Contemporary Art Practice. The award is open to anyone over the age of 18. The fee-waiver is awarded to the applicant who will benefit most from participating in the course, regardless of previous experience, background or education. Every application will be judged on its own terms, there are no academic or professional entry requirements. Please read the course description, it will help you decide whether this course is for you.

The course runs from 19 April to 14 June 2018, on Thursday evenings for 9 weeks, including off-site visits on Saturday, 5 May 2018 at Kupfer Arch 213, Ponsford Street, London E9 6JU.

For more information and to apply, please download the application form and return it by Friday, 23 February 2018. You will be notified of the outcome on Friday, 2 March 2018 and if you are selected you must accept the offer by Friday, 9 March 2018.

We endeavour to offer affordable rates for everyone when we host our own courses. We also offer one fee-waiver award per self-hosted course so that one person can join the course for free. As a non-profit organisation we aim to cover our expenses, including venue hire, salaries, insurance, booking fees etc. Free or affordable access to a venue helps keep our fees accessible.

Critical Theory in Contemporary Art Practice

critical theory in contemporary art practice_banner

Course Outline | Course Dates | Tutor | Reviews | Bibliography | Resources
Course Description

This course maps the theories and discourses that inform the production and reception of contemporary art, providing a supportive environment to develop your practice and articulate your ideas on the production, exhibition and interpretation of art.

Through lectures, seminars, tutorials and gallery visits the course will familiarise you with key concepts and historical transformations that underpin contemporary art production and reception. We will look at the impact of key philosophical, cultural and political discourses on art practice, and examine different theoretical perspectives and critical debates. You will extend and develop your ability to discuss, write about and judge contemporary art. You will be supported in contextualising your practice with extensive feedback in tutorials and workshops. You will also develop your skills in writing artist’s statements, critical reviews and/or exhibition proposals.

What kind of knowledge and skills do contemporary artists need? Who is art for? How do we recognise art? What distinguishes art from other forms of cultural production? How does the global economy affect the production and circulation of art? Is art a commodity? What is the social role of art? Can art bring about social change? Can art be critical? Are artists expected to push social boundaries? What is critical art, critical of? What is aesthetic autonomy? These are some of the questions we will address as we explore the historical and critical contexts in which contemporary art is made, circulated, viewed and understood.

Course Outcomes

By the end of the course you will have a good grasp of the historical underpinnings and current debates in contemporary art. You will develop, articulate and contextualise your practice. You will develop your writing and research skills and formulate research questions to guide your practice and research. You will be able to critically evaluate your own work, as well as that of others. You’ll be able to critically discuss and evaluate contemporary art.

Who Should Attend

The course is open to everyone regardless of experience but it is particularly suited to those who have a background and experience in art and wish to develop their practice and extend their knowledge of contemporary art practices and discourses. The course will suit those wishing to develop their practice and research, prepare a portfolio, apply for a postgraduate degree in art or pursue a career in the arts. The course will benefit painters, sculptors, print-makers, installation artists, performance artists, video and media artists, designers, sound artists, musicians, curators, writers and researchers.

For more information on the course, including the schedule, lectures and reading please download the Course Outline.

Upcoming Course Dates

Click on the dates below for more info and to book

10 Jan—14 Mar 2019, Thursdays 6pm-8:30pm for 10 wks @Chelsea College of Arts UAL
From To Time Duration Location Fee Actions
Thursday,
10 Jan 2019
Thursday,
14 Mar 2019
18:00–20:30 Five days
(25 hours)
Chelsea College of Arts UAL
16 John Islip Street, London SW1P 4JU
£ 599 BOOK

This course runs from 10 January to 14 March 2019, every Thursday from 6pm to 8:30pm for ten weeks at Chelsea College of Arts UAL. If you have any questions please contact us or the Chelsea Short Course Team +44 (0) 20 7514 6311.

5—9 August 2019, MonFri 10:00-16:00 for 5 days @Chelsea College of Arts UAL
From To Time Duration Location Fee Actions
Monday,
5 Aug 2018
Friday,
9 Aug 2018
10:00–16:00 Five days
(25 hours)
Chelsea College of Arts UAL
16 John Islip Street, London SW1P 4JU
£ 599 BOOK

This course runs from 5 to 9 August 2019, every day from 10am to 4pm for one week at Chelsea College of Arts UAL. If you have any questions please contact us or the Chelsea Short Course Team +44 (0) 20 7514 6311.

Tutor

Sophia Kosmaoglou is an artist, tutor, curator and founder of [ART&CRITIQUE], an alternative art education network based in London. Her current practice blurs the boundaries between art, activism and education to question the ontology of art and its social and institutional functions. She has a practice-based PhD in Fine Art from Goldsmiths and her research interests include institutional critique and the relationship between art and politics, institutions and independent organisations and collective practices. She has previously taught Critical Studies and Studio Practice on BA Fine Art Practice and Joint Honours courses at Goldsmiths and is currently a Visiting Tutor at Chelsea College of Arts. For more information please see https://videomole.tv

Reviews

This course offers a great opportunity to spend significant time and thought on aspects of your practice in a stimulating group environment. I would like to thank Sophia for her commitment to the students beyond what I expected- providing us with a wealth of information, reading lists etc and regular, detailed personalised feedback, which made such a difference. Anon

I’ve been looking for a long time to find a course like this, it is a unique opportunity, no other place provides this course. Sophia is a brilliant tutor and I am so glad I participated. I look forward to the next course. Anon

There is a lot of material in this course. It could easily form the basis of a degree course either under or post graduate. —Anon

What an enormous pleasure and fascinating process this week has been, so open and yet demanding. I’m in my studio as I write. It feels like the place to be to think it through, and in my case ‘get on with it’. I have a stack of questions, and some answers now, about how to go forward. It’s exciting! Thank you Sophia for this fantastic course, for your teaching, feedback and whole approach. It is so helpful to receive your perceptive and knowledgeable feedback to shake things up, reflect and begin to put more focused ideas into practice. You set the bar high for all of us with astonishing commitment. —Anon

The ideas learnt are indispensable and will stick with me for life. I will use it towards a Master’s course and during my own personal study. It has inspired me to get back in education with more direction and confidence. —Anon

ABOUT

ART&CRITIQUE is a London-based, peer-led alternative art education network dedicated to critical engagement with contemporary art. We employ collaborative, co-operative and collective models of pedagogy and organisation and foster alternative models of art education in a series of public events and courses.

ART&CRITIQUE is open-access, self-organised, self-funded and non-profit. If you’d like to get involved, or if you have an idea for an event or collaboration, please come along to an event or get in touch.

Our website provides information and resources for artists, curators, students and anyone interested in art practice, critical theory and research.

When we host our own courses we endeavour to offer affordable rates for everyone. As a non-profit organisation we aim to cover our expenses, including tutors’ salaries, insurance, booking fees etc. Free or affordable access to a venue helps keep our fees low.

MEMBERS & CONTRIBUTORS

Stephen BennettStephen Bennett

MA Art and Science student at Central Saint Martins (UAL) for 2016-2018. Deputy Head of Foresight in the UK Government Office for Science. Interested in maps, reflections, glass, depth, art-science-politics, socio-economics, climate change, demography, paint and photography.

Richard Burger Richard Burger

Richard is a painter. He studied in open access courses at the Chelsea College of Art and at the Art Student League of New York. His practise focuses on portraiture and landscape mainly in oils. One of Richards portraits was selected for exhibition at the NPG BP portrait awards 2016. In the same year he was accepted for a residency at the Vermont Studio Center.

Maria ChristoforatouMaria Christoforatou

Maria Christoforatou is an artist & visiting lecturer at University of the Arts London. She completed a practice-based MPhil at Chelsea College of Arts & an MA in Fine Art at Wimbledon College of Arts. Her research investigates experiences of displacement through the idea of home & the ways that objects mediate for the artist & become agents of experience for the viewer.

Amanthi HarrisAmanthi Harris

Amanthi is an artist & writer. She studied at Central St Martins & Bristol University. She won the Gatehouse Press New Fictions Prize 2016 for Lantern Evening (2017). Her short stories have been published & broadcast on BBC Radio4. She is part of the V22 Artist Collective & works in 3D & drawing. She runs StoryHug, a project making art & stories in the community.

Laura HudsonLaura Hudson

Laura Hudson is an artist, writer and freelance curator with a background in experimental film, digital technologies and sustainable agriculture. She studied Evironmental Art at Glasgow School of Art & Moving Image at Central St Martins. She worked for Women In Profile, London Filmmakers Co-op, Cinenova Feminist Film Distribution, Arts Council England & FluxIT.

Sophia KosmaoglouSophia Kosmaoglou

Sophia is an artist, tutor, curator and researcher. She completed a practice-based PhD in Fine Art at Goldsmiths in 2012 and founded ART&CRITIQUE in 2015. She teaches studio practice, critical and contextual studies, history & philosophy of art, curating, video & film production. Research interests include art and politics, art education, radical pedagogy and self-organisation.

Johanna KwiatJohanna Kwiat

Johanna is an artist based in London. She studied anthropology at Goldsmiths & is a co-founder of ArtBrixton. Her work explores self-containment & the struggle against the violence of the mundane in domesticity, relationships & work. She performs in public places with incidental or no human audience & extends her performances through photographs, diagrams & installations.

Dasha LoykoDasha Loyko

Dasha Loyko is a practising artist and researcher with a background in philosophy. She works across media, from painting and collage to installation and film. In October 2017 she will begin her studio-based MA in Critical Practice at the Royal College of Art.

Cristina Sousa Martínez Cristina Sousa Martínez

Cristina is a curator & art blogger from Mexico. Her research interests are the concepts of infinity, tear & language-games. Her first exhibition as a curator was about an infinite causal chain of words, Transitivity of Implication (2016). She’s an intern at the Museum of Portable Sound as a Curatorial Assistant, she likes to experiment with sound, video & watercolour.

Elliot C. MasonElliot C. Mason

Elliot is a playwright and founding member of Penny Drops Collective, a radical artist / theatre group.

 

Aristotelis NikolaidisAristotelis Nikolaidis

Aris completed a PhD in media & communications at Goldsmiths and has been involved in free and self-organised language programmes for migrants and refugees. He teaches & researches in the field of social theory & media studies from a critical perspective, which means that he is at odds with marketization, careerism & precarious labour conditions in the university.

Rubén Salgado Perez Ruben Salgado Perez

Ruben is a researcher & currently Diversity Champion at the V&A. He completed an MA in Aesthetics & Cultural Policy at City University (2014) and co-founded the curatorial collective Un-Mapping Futures (2017). His published work explores the intersections between philosophy of art, public participation and the production of discourse on art and its publics.