This website provides information on or regular events, workshops and courses, and information on opportunities and upcoming deadlines, education, professional development, support and resources for artists, curators, students, researchers and anyone interested in art practice, theory and research.
…education is like liberty: it isn’t given; it’s taken.
(Jacques Ranciere (1991). The ignorant schoolmaster. Stanford: Stanford University Press, p. 107)
Critique implies possibilities, and possibilities as yet unfulﬁlled. It is the task of critique to demonstrate what these possibilities and this lack of fulﬁlment are. (Henri Lefebvre (1991/1947). Critique of Everyday Life Vol 2. New York: Verso, p. 18)
MEMBERS & CONTRIBUTORS
MA Art and Science student at Central Saint Martins (UAL) for 2016-2018. Deputy Head of Foresight in the UK Government Office for Science. Interested in maps, reflections, glass, depth, art-science-politics, socio-economics, climate change, demography, paint and photography.
Richard is a painter. He studied in open access courses at the Chelsea College of Art and at the Art Student League of New York. His practise focuses on portraiture and landscape mainly in oils. One of Richards portraits was selected for exhibition at the NPG BP portrait awards 2016. In the same year he was accepted for a residency at the Vermont Studio Center.
Maria Christoforatou (documentation)
Maria Christoforatou is an artist & visiting lecturer at University of the Arts London. She completed a practice-based MPhil at Chelsea College of Arts & an MA in Fine Art at Wimbledon College of Arts. Her research investigates experiences of displacement through the idea of home & the ways that objects mediate for the artist & become agents of experience for the viewer.
Amanthi is an artist & writer. She studied at Central St Martins & Bristol University. She won the Gatehouse Press New Fictions Prize 2016 for Lantern Evening (2017). Her short stories have been published & broadcast on BBC Radio4. She is part of the V22 Artist Collective & works in 3D & drawing. She runs StoryHug, a project making art & stories in the community.
Laura Hudson is an artist, writer and freelance curator with a background in experimental film, digital technologies and sustainable agriculture. She studied Evironmental Art at Glasgow School of Art & Moving Image at Central St Martins. She worked for Women In Profile, London Filmmakers Co-op, Cinenova Feminist Film Distribution, Arts Council England & FluxIT.
Sophia Kosmaoglou (media co-ordinator, webmaster)
Sophia is an artist, tutor, curator, researcher and activist. She completed a practice-based PhD in Fine Art at Goldsmiths in 2012 and founded [ART&CRITIQUE] in 2015. She teaches studio practice, critical theory, history & philosophy of art, curating and video & film production.
Johanna is an artist based in London. She studied anthropology at Goldsmiths & is a co-founder of ArtBrixton. Her work explores self-containment & the struggle against the violence of the mundane in domesticity, relationships & work. She performs in public places with incidental or no human audience & extends her performances through photographs, diagrams & installations.
Dasha Loyko (book club coordinator, treasurer, bookings)
Dasha Loyko is a practising artist and researcher with a background in philosophy. She works across media, from painting and collage to installation and film. In October 2017 she will begin her studio-based MA in Critical Practice at the Royal College of Art.
Cristina Sousa Martínez (design, documentation)
Cristina is a curator & art blogger from Mexico. Her research interests are the concepts of infinity, tear & language-games. Her first exhibition as a curator was about an infinite causal chain of words, Transitivity of Implication (2016). She’s an intern at the Museum of Portable Sound as a Curatorial Assistant, she likes to experiment with sound, video & watercolour.
Ruben is a researcher & currently Diversity Champion at the V&A. He completed an MA in Aesthetics & Cultural Policy at City University (2014) and co-founded the curatorial collective Un-Mapping Futures (2017). His published work explores the intersections between philosophy of art, public participation and the production of discourse on art and its publics.